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la Biennale di Venezia
Visual Top Art EN (new)


Collateral Events

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MAP of the exhibition venues

001 Inverso Mundus. AES+F
The medieval engraving Inverso Mundus depicts a pig gutting the butcher, a child punishing its teacher, a man carrying a donkey on his back, men and women exchanging roles and costumes, and a beggar in rags majestically giving alms to a rich man. In this engraving there are demons, chimeras, fish flying through the sky, and death itself, either with a scythe, or behind the mask of Doctor Plague. In our interpretation of Inverso Mundus, absurd scenes of the medieval carnival appear as episodes of contemporary life. Characters act out scenes of absurd social utopias, changing their own masks. Metrosexual cleaners shower the city with debris. Women-inquisitors torture men on IKEA-style devices. Children and seniors are locked in a kickboxing match. Inverso Mundus is a world where chimeras are pets and the Apocalypse entertainment.
Magazzino del Sale n. 5, Dorsoduro, 262 - Fondamenta delle Zattere ai Saloni;
Palazzo Nani Mocenigo, Dorsoduro, 960 (Event closed)
May 7th – November 22nd
10:30 am - 6:30 pm, closed on Monday
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
If today Raymond Williams were to decide on more entries for his celebrated text Keywords, he would surely include “singularity.” The term refers to the moment when artificial intelligences surpass human capacity and human control. In mathematics it describes a point at which a given mathematical object is not defined or “well-behaved,” for example, infinite or not differentiable. The filmmaker Albert Serra Juanola takes this notion as a point of departure in his new film. Serra’s cinema makes the statement that being aware of the world is not simply a result of the mind’s existence, but rather it is the mind in action. To link cinema with the singularity condition means to foster belief in the notion that thought, will, and imagination are not made of the same substance as the world, objects, and things, but of images, feelings, and ideas.
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
10 am - 6 pm, closed on Monday
Organization: Institut Ramon Llull
Conversion. Recycle Group
This site-specific installation proposes that the globalization of information networks and the cult of new technologies are in some ways comparable to the historic conversion to Christianity. The Recycle Group frequently turns to history to illustrate topical issues and shocking aspects of contemporary lifestyle. Their sculptures and bas-reliefs in modern materials frequently take on the appearance of ancient monuments that display the ravages of time, like artifacts from some lost civilization. Although the forms and compositions of this project are influenced by traditional Christian iconography, they introduce contemporary motifs. Conversion proposes a parallel between the Christian enlightenment and the digital technological revolution where sacred knowledge formerly residing in the heavens is now located in the intangible space of “The Cloud.
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - November 22nd
10 am - 6 pm, closed on Tuesday
Organization: Moscow Museum of Modern Art
An exhibition that is the result of Italian artist Giorgia Severi’s one-and-a-half-year stay in the Australian territories, in direct contact with the indigenous artist community. Her journey involved various stopovers in art spaces throughout the continent. Country is a melting pot of different cultures, its works an investigation into memory and tradition.
Deploying an array of media from handcrafts to sound art, we are invited to contemplate the volatile equilibrium between Humans and Nature.
Gervasuti Foundation Foundamentalis, Cannaregio, 4998 (Calle Lunga Santa Caterina)
May 9th - November 22nd
10 am - 6 pm, closed on Monday
Organization: Gervasuti Foundation
Dansaekhwa describes a Korean art form and movement that arose in the early 1970s and continued through the ’80s. Although Dansaekhwa can be understood as sharing similarities with Western monochrome art and minimalism, it is distinct from both in terms of its historical background, aesthetic practice, and underlying social criticism. Dansaekhwa articulates a painterly flexibility and affinity by removing the excess of color. Brushing, plucking, scratching at paint, and pushing oil paints through the back of the canvas is a physical act, appearing as an element and important performance of the production process, and making painting unpredictable. The background of Dansaekhwa is seminal elements considering constantly changing aesthetic values and the ongoing history of activism and political critique reflecting social phenomena.
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 8th – August 15th
10 am - 6 pm, closed on Monday
Organization: The Boghossian Foundation
Organized by the city of Wroclaw, the 2016 European Capital of Culture, the exhibition takes as its departure point the city’s post- War history of displacements. Stemming from this historical context, it explores contemporary dimensions of displacements, of loss of home and seeking a refuge in a new, often hostile, foreign place. Artists from Poland, Ukraine, and Germany are guided by the recognition of a universal and atemporal dimension of dispossession and its psychological and material manifestations. Dispossession, pertaining to both deprivation and exorcism, hints at a distinction between “our,” “one’s own,” and an unwelcomed “other.” It is in this loss and desire for belonging that we analyze a complex relationship between space and identity.
Palazzo Donà Brusa, Campo San Polo, 2177
May 7th - November 22nd
10:30 am - 6:30 pm, closed on Monday
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
The Leisure Principle is the curatorial theme driving EM15’s premiere presentation at la Biennale and manifests through two newly commissioned artistic outputs: Doug Fishbone’s Leisure Land Golf, a fully playable, artist-designed miniature golf course which visitors are invited to play, and Sunscreen (, an online project which explores the blurred space that exists between work and leisure. The Leisure Principle considers the concept of tourism and trade as a metaphor to explore current global economic complexities through one of the defining principles of leisure—that of consumption and how this consumption shapes our identity. EM15 is a collective from the East Midlands, UK, and comprises Beacon Art Project, One Thoresby Street, QUAD, and New Art Exchange in association with Nottingham Trent University.
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
10 am - 6 pm, closed on Monday
Organization: EM15
Eredità e Sperimentazione
This event develops through the representation of a decorative process created by the English artist Joe Tilson involving an undecorated facade of the Art Nouveau building of the Grande Hotel Ausonia & Hungaria on the Venice Lido. There is a day vision with material and three-dimensional instruments and a night vision with video media instruments. Night vision: a multimedia representation with a projection of the proposed decoration for a facade of the hotel. Day vision: two didactic exhibitions with pieces built to scale. Outside, in the garden, there is a 12-square-meter structure with Murano glass tiles and structural support, the prototype of the coating that will be put in place on the wall. Next to the lobby of the hotel, in the historic Meeting Hall, there is an exhibition of historical documents, sketches, paintings by the artist, and plans.
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
The phenomenon of globalization, where cultures are colliding and melding as never before, offers rich and complex sources of inspiration for artists. Frontiers Reimagined examines the results of these cultural entanglements through the work of forty-four painters, sculptors, photographers, and installation artists who are exploring the notion of cultural boundaries. These emerging and established artists—who come from a vast geographical landscape stretching from the West to Asia to Africa—share a truly global perspective, both in their physical existence, living and working between cultures, and their artistic endeavors. Each demonstrates the intellectual and aesthetic richness that emerges when artists engage in intercultural dialogue.
Museo di Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
10 am - 6 pm, closed on Monday
Organization: Tagore Foundation International; Soprintendenza speciale per il patrimonio storico, artistico ed etnoantropologico e per il polo museale della città di Venezia e dei comuni della Gronda lagunare
Glasstress Gotika
The exhibition presents contemporary art works made in glass, all with a Gothic theme, by over fifty invited artists from more than twenty countries who have created works with the glass maestros of Murano. These works are juxtaposed with medieval glass artifacts chosen from the permanent collection of The State Hermitage Museum in St. Petersburg, one of the oldest and most celebrated museums in the world. Glasstress Gotika explores how medieval ideas have imperceptibly crept into the modern consciousness despite all the technological advances of today’s society and how the Gothic concept informs contemporary art.
Istituto Veneto di Scienze Lettere ed Arti, San Marco, 2847 (Campo Santo Stefano); Fondazione Berengo, Campiello della Pescheria, 15, Murano
May 9th — November 22nd
10 am - 6 pm open daily, admission with fee
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
The ambition of Fagen’s work and the complexity of his vocabulary positions him as one of the most influential artists working in Scotland today. He draws on a fascination for poetry, specific musical forms, and theatrical artifice in order to focus on ideas of the national, social, and political. Working with writers, theater directors, musicians, and composers enables him to draw on expertise, knowledge, and specialisms outside of his own. In this new work, contributions from classical composer Sally Beamish, reggae singer and musician Ghetto Priest, and music producer Adrian Sherwood are clearly embedded, yet Fagen’s authorship is never distracted or eroded. Fagen’s installation draws the viewer on a journey, a choreographed route.
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
10 am - 6 pm, closed on Monday
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
A journey to the future among the ruins of the Soviet Empire. A large installation of thirty- three sculptures that emerge from archaeological excavations inside an ancient church. They are the pseudoartifacts of a recent, perished civilization. For this project, Bruskin uses characters from his painting Fundamental’nyi leksikon (1985–1986), a collection of archetypes from the USSR. He reproduces the figures life-size, then destroys the sculptures, gathers the fragments, and casts them in bronze. He then buries them in Tuscany for three years alongside the already buried ruins of the Roman Empire. He finally digs them out, and now the statues emerge from the cloudy waters in which Venice lies. Various perished empires meet in the present.
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 7th – November 22nd
10 am - 6 pm, closed on Tuesday
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
The artists selected for the main exhibition, All The World’s Futures
National Participations
Countries exhibited in their own pavilions at the 56th Intl. Art Exhibition
Collateral Events
Additional exhibitions and initiatives in Venice during the 56th Biennale