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Ron Mueck's "Boy" at the entrance of the Corderie, 2001
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The 49th International Art Exhibition took place from June 10 to November 4, 2001, under the title Plateau of Humankind. It was directed, as the 1999 edition, by the Swiss critic Harald Szeemann and attracted over 243,400 visitors. Szeemann said that “No set theme was applied in choosing the artists; indeed, it is their work which decides the dimension of the event. The Venice Biennale hopes to serve as a raised platform offering a view over humankind”.

A key work by Joseph Beuys, The End of the Twentieth Century, was exhibited. According to Szeemann, “It was Beuys above all who was the indefatigable spokesman for the concept of liberty”. Alongside Beuys, various other artists of the 20th century were exhibited: “Cy Twombly, whose generous gestures restore myth to the modern world; Richard Serra, the creator of a new concept of the monumental; Niele Toroni, the champion of painting as trace. Then come a number of those contemporary artists who have focused on the human figure – for example, Ron Mueck”.

The 50th edition of the International Art Exhibition was directed by Francesco Bonami and took place from June 15 to November 2, 2003. The title was Dreams and Conflicts. The Dictatorship of the Viewer. Bonami said the Exhibition, which attracted over 260,100 visitors, created “a polyphony of voices and thoughts: it is a large body in which different and independent spirits of contemporary art are shown”. Bonami in fact curated three exhibitions within this project: Delays and Revolutions (along with Daniel Birnbaum), Clandestine, and Pittura/Painting, a large retrospective about painting at the Venice Biennale from 1964 to the present day, which took place at the Museo Correr.

Other exhibitions which were part of the overall project included The Zone, curated by Massimiliano Gioni, Fault Lines, curated by Gilane Tawadros, Individual Systems, curated by Igor Zabel, Zone of Urgency, curated by Hou Hanru, The Structure of Survival, curated by Carlos Basualdo, Contemporary Arab Representations, curated by Catherine David, The Everyday Altered, curated by Gabriel Orozco, and Utopia Station, curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija.
 
 
 
 
 
 
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