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Main Visual Sezione Cinema EN (new)

Cinema

69th Venice International Film Festival

Director: Alberto Barbera

29th August > 8th September 2012

Venezia 69

UN GIORNO SPECIALE - FRANCESCA COMENCINI
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Synopsis
Gina and Marco are both very young and are determined to be “someone.” They meet one morning in a shabby suburb at the gates of Rome. She has an appointment with a politician who could put a good word in for her and help her enter the entertainment world; he is the driver who has to take her to the meeting. It is the moment both have been waiting for: their fi rst day of work and their entry into the adult world. But nothing goes according to plan. The politician, stuck in a never-ending parliamentary session, keeps postponing the meeting, leaving the two young people in a limbo of waiting that soon turns into a special day. It will take them from the provinces to the heart of the capital, in which the two of them will get to know each other. But the immediate future is always lying in ambush. Just when Marco and Gina have revealed their true selves and entered under each other’s skin, forgetting about everything else— including that appointment which just a few hours earlier had seemed so important to them—the eagerly anticipated phone call comes crashing down on them. Later, when Marco takes Gina back home, night has fallen and so has the silence between them. Their lives have changed.

VIDEO (press conference and photocall) >>
VIDEO (red carpet) >>
7 September 22.00 - Sala Grande 7 September 21.45 - PalaBiennale VENEZIA 69 Un giorno speciale by Francesca Comencini - Italy, 89'
language: Italian - s/t English
Filippo Scicchitano, Giulia Valentini
 
Director’s Statement
I wanted to make a simple, uncomplicated and seemingly spontaneous fi lm that looked a bit messy. In reality, it is a written and well-constructed fi lm in which a small window was left open for any changes. I wanted to make a fi lm about two young people on the outskirts who get closer to the centre. I wanted to depict their day through delicate touches and make a fi lm that was precise, light and quick both in its narrative arc—a single day—and in the rhythm of the story. I thought this was the only way I’d be able to capture something that lightly and rapidly takes hold of our lives, making them heavy and timeless.