fbpx Biennale Teatro 2018 | Simone Aughterlony and Jorge León - Uni * Form
La Biennale di Venezia

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Simone Aughterlony and Jorge León - Uni * Form



(2015, 75') Italian premiere

created with and performed by Simone Aughterlony, Davis Freeman, Nada Gambier, Kiriakos Hadjiioannou, Jen Rosenblit, Hahn Rowe, Gary Wilmes
concept Simone Aughterlony, Jorge León
dramaturgical advice Saša Božic, Alain Franco
music Hahn Rowe
lighting design Florian Bach
costume design Judith Steinmann
body object design Marion Montel, Judith Steinmann
technical direction Ursula Degen, Marie Prédour
production management Michael Nijs, Sina Kießling
production Simone Aughterlony, Verein für allgemeines Wohl and Jorge León - Present Perfect asbl
co-production Zürcher Theater Spektakel, SPIELART München, Kaserne Basel, HAU Hebbel am Ufer Berlin, Charleroi Danses, Théâtre de Liège, Gessnerallee Zürich, de facto Zagreb, BIT Teatergarasjen Bergen, Théâtre Garonne, Scène européenne Toulouse, House on Fire
with the support of the Culture Programme of the European Union
supported by the NATIONALES PERFORMANCE NETZ (NPN) - Coproduction Fund for Dance, funded by the Federal Government Commissioner for Culture and the Media on the basis of a decision by the German Bundestag, Zagreb City Council for Culture, Ministry of Culture of Republic of Croatia, Kultura Nova Foundation, Fachausschuss Tanz & Theater BS/BL, Stanley Thomas Johnson Foundation, City of Zurich, Canton of Zurich Fachstelle Kultur and Swiss Arts Council Pro Helvetia
special thanks to UferStudios Berlin and Myriam Van Imschoot

 

The purchase of the ticket for this show will allow you to assist to the performance Oblò (30’) at 8.15 p.m. – Arsenale Foyer Tese (free entrance subject to seating availability)

 

Under 14 not admitted
Nudity on stage

Description

In Uni * Form, another supposed binary, that of dominance and submission, is complicated through the representation of the police uniform that leads to saturation of representation and the uncanny. As a group that is granted and exercises discretionary power over society at large, the police corps is simultaneously part of the fabric of society and on the periphery of it, an imposed net that suffocates dissent or expressions of otherness from the normative social frame. In Uni * Form, the disguised performers intra-act in a distinct environment that disturbs the established boundaries and unpredictable abuse of distance and touch associated with police control. At the heart of the performance is a play between the domination of desire, the ubiquity of power and a deep interest in human (and non-human) interactions as performers forge ways of negotiating a sense of togetherness and the inevitability of being intimately bound.
Irreverent toward the function that the uniform symbolizes, their actions and interactions render a paradox between the familiarity of immediate recognition and the alienation of self-identification. Surrounded and scrutinized by the audience, the uniformed performers are trying to do their “police work”. They try, they fail, they try again and find that failure is their style. In unsettling and unsettled instances of embodiment, the vulnerability of all bodies emerges and becomes tangible. Power is a force but they have forgotten how to activate it.
The inefficiency of their “police work” takes time and the incorporated gendering of bodies adds to the ambiguity of the appearing and dissolving images. Authority lies in the audience’s gaze but where should they place their sympathy, their antipathy? Abuse is never far away. Sexuality can be empowering but tends to hover in threatening clouds. If we release the police of its own authority, what kind of theatre game is at stake? Can we open up a mutable landscape in which domination and submission are interrelated forces that resist conforming to a simple binary and like power are practiced rather than possessed?

Teatro alle Tese

SESTIERE CASTELLO
CAMPO DELLA TANA 2169/F
30122 VENICE
TEL. +39 0415218711
info@labiennale.org

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Biennale Teatro
Biennale Teatro