Venezia Classici

IL DESERTO ROSSO (RED DESERT)
by MICHELANGELO ANTONIONI
restoration: CSC-Cineteca Nazionale and Istituto Luce - Cinecittà with the cooperation of RTI-Mediaset / Italy (1964) / 120’
 

NOVECENTO (1900)
by BERNARDO BERTOLUCCI
restoration: 20th Century Fox, Paramount Pictures, Istituto Luce - Cinecittà and Cineteca di Bologna, with the cooperation of Alberto Grimaldi and the support of Massimo Sordella
Italy (1976) / 316’
 

L’OEIL DU MALIN (THE THIRD LOVER)
by CLAUDE CHABROL
restoration: Studiocanal with the support of Centre national du cinéma et de l’image animée France (1962) / 91’
 

BATCH ‘81
by MIKE DE LEON
restoration: Asian Film Archive / Philippines (1982) / 108’
 

NON C’È PACE TRA GLI ULIVI (UNDER THE OLIVE TREE)
by GIUSEPPE DE SANTIS
restoration: CSC-Cineteca Nazionale with the cooperation of CristaldiFilm by Zeudi Araya and Massimo Cristaldi / Italy (1950) / 107’
 

LA DONNA SCIMMIA (THE APE WOMAN)
by MARCO FERRERI
restoration: Cineteca di Bologna and TF1 Studio with the cooperation of Surf Film
Italy, France (1964) / 116’
 

ČERNÝ PETR (BLACK PETER)
by MILOŠ FORMAN
restoration: Národní filmový archiv / Czechoslovakia (1963) / 89’
 

DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE (TWO OR THREE THINGS I KNOW ABOUT HER)
by JEAN-LUC GODARD
restoration: Argos Films with the support of Centre national du cinéma et de l’image animée
France (1967) / 87’
 

DAÏNAH LA MÉTISSE
by JEAN GRÉMILLON
restoration: Gaumont with the support of Centre national du cinéma et de l’image animée
France (1931) / 48’
 

LES BALISEURS DU DÉSERT / EL-HAIMOUNE (WANDERERS OF THE DESERT)
by NACER KHEMIR
restoration: Cinémathèque royale de Belgique / Tunisia, France (1984) / 95’
 

IDI I SMOTRI (COME AND SEE)
by ELEM KLIMOV
restoration: Mosfilm (producer of the restoration, Karen Shakhnazarov) / USSR (1985) / 143’
 

INTO THE NIGHT
by JOHN LANDIS
restoration: Universal Pictures / USA (1985) / 115’
 

ROSITA (Pre-opening film)
by ERNST LUBITSCH
restoration: The Museum of Modern Art with the support of Louis B. Mayer Foundation, RT Features, The Film Foundation, and Celeste Bartos Preservation Fund / USA (1923) / 97’
 

CHIKAMATSU MONOGATARI (A STORY FROM CHIKAMATSU)
by KENJI MIZOGUCHI
restoration: Kadokawa Corporation, The Film Foundation with the cooperation of The Japan Foundation / Japan (1954) / 102’
 

SANSHŌ DAYŪ (SANSHO THE BAILIFF)
by KENJI MIZOGUCHI
restoration: Kadokawa Corporation, The Film Foundation with the cooperation of The Japan Foundation / Japan (1954) / 126’
 

OCHAZUKE NO AJI (FLAVOR OF GREEN TEA OVER RICE)
by YASUJIRŌ OZU
restoration: Shochiku Co., Ltd. / Japan (1952) / 115’
 

COUSIN, COUSINE
by JEAN ROUCH
restoration: Centre national du cinéma et de l’image animée, with the cooperation of Fondation Jean Rouch / France (1985-1987) / 31’
 

CLOSE ENCOUNTERS OF THE THIRD KIND
by STEVEN SPIELBERG
restoration: Sony Pictures Entertainment / USA (1977) / 137’
 

ZÉRO DE CONDUITE (rushes)
by JEAN VIGO
restoration: Gaumont with the support of Centre national du cinéma et de l’image animée
France (1933) / 15’
 

THE REVOLT OF MAMIE STOVER
by RAOUL WALSH
restoration: 20th Century Fox / USA (1956) / 93’
 

THE OLD DARK HOUSE
by JAMES WHALE
restoration: Cohen Film Collection, Cohen Media Group with the cooperation of Universal Pictures / USA (1932) / 72’

AÑOS LUZ (LIGHT YEARS)
by MANUEL ABRAMOVICH
Argentina, Brazil, Spain / 75’
 

EVVIVA GIUSEPPE
by STEFANO CONSIGLIO
Switzerland, Italy / 90’
 

LA LUCIDA FOLLIA DI MARCO FERRERI (DANGEROUS BUT NECESSARY)
by ANSELMA DELL’OLIO
Italy, France / 80’
 

L’ENIGMA DI JEAN ROUCH A TORINO - CRONACA DI UN FILM RATÉ
by MARCO DI CASTRI, PAOLO FAVARO, DANIELE PIANCIOLA
Italy, France / 90’
 

L’UTOPIE DES IMAGES DE LA RÉVOLUTION RUSSE (THE RUSSIAN REVOLUTION THROUGH ITS FILMS)
by EMMANUEL HAMON
France / 88’
 

THE PRINCE AND THE DYBBUK
by ELWIRA NIEWIERA, PIOTR ROSOŁOWSKI
Poland, Germany / 82’
 

LA VOCE DI FANTOZZI
by MARIO SESTI
Italy / 78’
 

THIS IS THE WAR ROOM!
by BORIS HARS-TSCHACHOTIN
Germany / 13’