fbpx Biennale Danza 2017 | Alessandro Sciarroni - Folk-s, will you still love me tomorrow
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Alessandro Sciarroni - Folk-s, will you still love me tomorrow



(2012, 90’ ca.)
concept, dramaturgy Alessandro Sciarroni
sound Pablo Esbert Lilienfeld
video and images Matteo Maffesanti
lighting Rocco Giansante
costumes Ettore Lombardi
faith coaching Rosemary Butcher
dramaturgical consultant, casting Antonio Rinaldi
choreographic consultant Tearna Schuichplattla
with Marco D'Agostin, Pablo Esbert Lilienfeld, Francesca Foscarini, Matteo Ramponi, Anna Bragagnolo, Francesco Vecchi, Amy Bell, Leon Maric
production Marche Teatro - Teatro di rilevante interesse culturale - Progetto Archeo. S - System of Archeological Sites of the Adriatic Seas co-funded by the programma di Cooperazione Transfrontaliera Cross-Border Cooperation IPA-Adriatico
in collaboration with Corpoceleste_C.C.00#
and with Inteatro, Amat-Civitanova Danza per “Civitanova Casa della Danza”, Centrale Fies, ChoreoRoam Europe: Centro per la Scena Contemporanea - Comune di Bassano del Grappa, The Place/London, Dansateliers/Rotterdam, Dance Week Festival/Zagreb, and Paso a 2/Certamen Coreográfico de Madrid

followed by

encounter with Alessandro Sciarroni
hosted by Elisa Guzzo Vaccarino

Description

Folk-s is a performance and choreographic practice about time, that arises from considerations on ancient folk dancing phenomena that have survived into the contemporary era. The Schuhplattler is a typical Bavarian and Tyrolean dance, it means “shoe batting” and consists in batting your legs and shoes with your hands.

In Folk-s, this dance is performed and conceived as the indication of a pre-existing primitive form of thought. Dance as a rule, dictation, a stream of images that follow rhythm and form, not content. "Form is rhythm, is it energy that is perceived through the ears, not the eyes, eyeless" – The Diary of Virginia Woolf, vol. III.

Thus for the performers of Folk-s there is no other time but the present, which is non-past and non-future. It is the infinite insistence of the tide against the beach, the return of the same wave on the same shore. It is sound. Folk is most clearly revealed in the geographically and culturally decontextualized repetition.

In this loop of percussive gestures, the introduction of anomalies and variations seems to refer to a complex system of signs that evoke celebration and martyrdom, in the cruel and elegant presence of a new Exterminating Angel. Thus folk and popular, abstracted from the original matrix of their sound, seem to challenge and merge with the contemporary condition, in a relentless battle for survival”.

Alessandro Sciarroni

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Biennale Danza
Biennale Danza