Recent Years (2001-2015)
The 53rd International Art Exhibition was directed in 2009 by Daniel Birnbaum and titled Making Worlds. The exhibition ran June 7 to November 22 and attracted 375,702 visitors, which resulted in an 18% increase compared to the previous edition.
Making Worlds consisted of one exhibition articulated in the venues of the renovated Central Pavilion at Giardini and at the Arsenale area, exhibiting more than 90 international artists featuring new works and new artistic languages. 77 National participations and 44 Collateral events were also part of the exhibition. The exhibition space of the Italian Pavilion at the Arsenale was doubled.
In 2011, it was Swiss art historian and critic Bice Curiger who curated the exhibition, titled ILLUMInations. This 54th edition of the International Art Exhibition was another record event, boasting an attendance of over 440,000 visitors (+18% when compared to the previous edition). 83 international artists were exhibited in the main section, 62 of them for the first time, 32 young artists were born after 1975 and 32 were women artists. A record number also for National participations, 89, and a remarkable presence of Collateral events, 37.
The Meetings on Art, a series of conversations with artists, critics and philosophers on the themes of the exhibition, brought the public of the Biennale close to personalities such as Laurie Anderson, Patti Smith, Achille Bonito Oliva, Germano Celant, Hans Ulrich Obrist and Okwui Enwezor, to name but a few.
The special project, Biennale Sessions involved 31 national and international universities who visited the exhibition and organized seminars in a space offered for free by the Biennale.
The 55th International Art Exhibition, curated by Massimiliano Gioni, took place from 1 June to 24 November 2013; the Exhibition, titled The Encyclopedic Palace, got an extraordinary success, attracting over 475,000 visitors and confirming itself as the most visited art exhibition in Italy.
More than 160 artists from 38 countries were included in the Exhibition. 88 National Participations were exhibited in the historical Pavilions at the Giardini, at the Arsenale and in the city of Venice; among these, 10 countries participated for the first time. The novelty was the participation of the Holy See with an exhibition at the Sale d'Armi in the Arsenale. The Italian Pavilion, located at the Tese delle Vergini in the Arsenale, was curated by Bartolomeo Pietromarchi and titled Vice versa after a concept theorized by Giorgio Agamben. The Venice Pavilion, titled Silk Map and curated by Renzo Dubbini, returned to its original vocation, paying tribute to the "soft art", weaving, with five artists from Italy and the East. 47 Collateral Events took place in several locations in Venice.
Throughout the Exhibition, the Meetings on Art were organized: a series of lectures, performances and debates, enriched by a project by the artist Marco Paolini, an installation titled FÉN ("hay").
The curator of the 56th International Art Exhibition in 2015 was the critic and writer Okwui Enwezor. The exhibition was titled All The World’s Futures and ran from 9 May to 22 November; the 2015 edition was particularly successful, attracting over 501,000 visitors and more than 8,000 accredited journalists.
The show included 136 artists from 53 countries, of whom 89 were exhibited for the first time; of works on display, 159 were expressly realized for this year's edition. 89 National Participations were exhibited in the historical Pavilions at the Giardini, at the Arsenale and in the city of Venice, featuring 5 countries participating for the first time: Grenada, Mauritius, Mongolia, Mozambique, and Seychelles. 44 Collateral Events presented their exhibitions and initiatives in various locations across the city. The Arena in the Central Pavilion was the venue for an interdisciplinary programme of live events, the heart of which was the unabridged reading of Das Kapital by Karl Marx; conceived by the Ghanaian-British architect David Adjaye, the Arena hosted recitals, film screenings, performances and public debates throughout the exhibition.
The show also featured exhibitions from the Holy See (In Principio… la parola si fece carne at the Arsenale’s Sale d’Armi, curator: Micol Forti), the Italian Pavilion (Codice Italia, curator: Vincenzo Trione) and the Padiglione Venezia dedicated to applied arts (Guardando avanti. L’evoluzione dell’arte del fare. 9 storie dal Veneto: Digitale – non solo digitale, curator: Aldo Cibic).
A collaboration between the La Biennale di Venezia and the Google Cultural Institute made it possible to put the exhibition on a digital platform that can be browsed online even after the end of the exhibition.