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La Biennale di Venezia

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Cinema Rossini, 10.02 - 19.05 2022

Classici fuori Mostra

3rd Permanent Festival of restored films

From February 10th through May 19th, every Thursday at 7 pm the Cinema Rossini movie theatre in Venice will host the third edition of the film series Classici fuori Mostra. Permanent Festival of Restored Films, organized by La Biennale di Venezia in collaboration with the City of Venice’s Circuito Cinema and the professors of film studies at the Università Ca’ Foscari in Venice and the Università IUAV in Venice.

Classici fuori Mostra

The programme will include thirteen film classics (and one “behind the scenes”) recently restored by the most important film libraries around the world, in the original language version with subtitles in Italian. Each film will be introduced by an expert and followed by a question-and-answer session with the audience. There will be special discounts for students (reduced student ticket price 3 euro, student pass 30 euro, full price ticket 6 euro).

Statement from
Alberto Barbera

Classici fuori Mostra is back, preceded by the success of the two previous editions, held respectively in the open-air arena at the Giardini in the summer of 2020 and at the Teatro Piccolo Arsenale in the summer of 2021 – explains the Director of the Venice International Film Festival Alberto Barbera. The third edition not only gives continuity to the idea of proposing activities that extend beyond the traditional timeframe of the Venice Film Festival, by appealing to the residents, it also has another objective: to involve the vast population of students that energizes Venice – relying on the real and valuable collaboration of the city’s Universities and its professors of film studies, with the aim of making the students the protagonists of this initiative. For this reason, each film will be introduced by an expert (professors and critics have enthusiastically agreed to take on this mediation challenge) and followed by a “Q&A” session at the end of the screening. This is a re-edition of the time-tested film forum formula, which is coming back in style by virtue of the curiosity and the desire for debate that cinema again appears to be stimulating after years of passive home viewing”.

Programme

Screenings every Thursday at 7 pm
Films screen in their original language with subtitles in Italian

 

17 February
LA RÈGLE DU JEU  (106’)
(The Rules of the Game)
by Jean Renoir
with Roland Toutain, Nora Gregor, Marcel Dalio, Jean Renoir
France, 1936
Restored by Cinémathèque française and Les Grands Films Classiques, in collaboration with The Criterion Collection/Janus Films and Cinémathèque suisse
Introduction by Marco Dalla Gassa

24 February
VREDENS DAG  (97’)
(Day of Wrath)
by Carl Theodor Dreyer
with Thorkild Roose, Lisbeth Movin, Sigrid Neiiendam, Preben Lerdorff Rye
Denmark 1943
Restored by Danish Film Institute
Introduction by Carmelo Marabello

3 March
IRIS OCH LÖJTNANTSHJÄRTA  (89’)
(Iris and the Lieutenant)
by Alf Sjöberg
with Mai Zetterling, Alf Kjellin, Åke Claesson, Holger Löwenadler
Sweden, 1946
Restored by Swedish Film Institute
Introduction by Elena Pollacchi

10 March
SIRÉNA  (79’)
(The Strike)
by Karel Steklý
with Ladislav Boháč, Marie Vášová, Naděžda Mauerová, Bedřich Karen, Josef Bek
Czechoslovakia, 1947
Restored by Národní filmový archiv in collaboration with Karlovy Vary International Film Festival
Introduction by Federico Gironi

17 March
H-8...  (105’)
by Nikola Tanhofer
with Ðurđa Ivezić, Boris Buzančić, Antun Vrdoljak, Vanja Drach, Marijan Lovrić, Mira Nikolić, Antun Nalis, Mia Oremović, Rudolf Kukić
Croatia, 1958
Restored by Croatian Cinematheque – Croatian State Archives with the support of Croatian Audiovisual Centre
Introduction by Dunja Jelenković

24 March
HERZOG BLAUBARTS BURG  (63’)
(Bluebeard’s Castle)
by Michael Powell
with Norman Foster, Ana Raquel Satre
Austria/Germany, 1963
Restored by BFI National Archive and The Film Foundation in association with Ashbrittle Film Foundation and with the supervision of Martin Scorsese and Thelma Schoonmaker Powell
Introduction by Carmelo Marabello

31 March
UCCELLACCI E UCCELLINI  (86’)
(The Hawks and the Sparrows)
by Pier Paolo Pasolini
with Totò, Ninetto Davoli, Francesco Leonetti, Femi Benussi
Italy, 1966
Restored by Fondazione Cineteca di Bologna in collaboration with Compass Film and Istituto Luce Cinecittà. With the contribution of Ministero della Cultura
Introduction by Michele Gottardi

7 April
CSILLAGOSOK, KATONÁK  (87’)
(The Red and the White)
by Miklós Jancsó
with András Kozák, Krystyna Mikolajewska, Jácint Juhász, Tatyana Konyukhova, Mikhail Kozakov, Nikita Mikhalkov
Hungary, Soviet Union, 1967

followed by the backstage of
KAMERÁVAL KOSZTROMÁBAN (13’)
(With a Camera in Costroma)
by Zsolt Kézdi-Kovács
with Miklós Jancso, Krystyna Mikolajewska, Tatyana Konyukhova
Hungary, 1967
Restred by National Film Institute Hungary – Film Archive
Introduction by Giuseppe Ghigi

14 April
THE FRENCH CONNECTION  (103’)
by William Friedkin
with Gene Hackman, Fernando Rey, Roy Scheider
USA, 1971
Restored by The Walt Disney Studios
Introduction by Michele Gottardi

21 April
IL GIORNO DELLA CIVETTA  (112’)
(Day of the Owl)
by Damiano Damiani
with Franco Nero, Claudia Cardinale, Rosemma Concetta Lo Pipero , Lee J. Cobb, Tano Cimarosa, Serge Reggiani
Italy, 1968
Restored by Fondazione Cineteca di Bologna in collaboration with Compass Film
With the support of Ministero della Cultura
Introduction by Francesco Zucconi

28 April
COOGAN’S BLUFF  (94’)
by Don Siegel
with Clint Eastwood, Susan Clark, Don Stroud, Tisha Sterling, Betty Field, Lee J. Cobb
USA, 1968
Restored by Universal Pictures
Introduction by Adriano De Grandis

12 May
(MARUHI) SHIKIJÔ MESU ICHIBA  (83’)
(Confidential: Secret Market)
by Noboru Tanaka
with Meika Seri, Genshu Hanayagi, Shiro Yumemura, Akira Okamoto, Junko Miyashita
Japan, 1974
Restored by NIKKATSU Corp.
Introduction by Roberta Novielli

19 May
LAYLA WA ZI’AB  (90’)
(Leila and the Wolves)
by Heiny Srour
with Nabila Zetouni, Rafic Ali Ahmed
UK, France, Belgium, Netherlands, Lebanon, Sweden, 1980-1984
Restored by CNC - Centre national du cinéma et de l'image animée
Introduction by Miriam De Rosa

Ticket prices

Full price € 6
Concessions € 3
Subscriptions € 30

Discounts reserved for:
- students IUAV, Università Ca’ Foscari, Conservatory B. Marcello, Accademia di Belle Arti di Venezia, VIU
- under 26/over 70
- members Circuito Cinema, Quarta Parete, Cineclub Venezia, Rete Cinema in Laguna, Cinema Barchin, Ateneo Veneto
- Biennale Card 2022 holders
- accredited visitors to the  78th Venice International Film Festival (2021 edition, any type of accreditation)

Tickets and passes for sale at the ticket office of the Multisala Rossini and at www.culturavenezia.it/cinema, starting from Tuesday 8 February.

For further information about access to the theatre: https://www.dgc.gov.it/web/

ACKNOWLEDGMENTS

La Biennale di Venezia wishes to thank for their valuable collaboration: the City of Venice’s Circuito Cinema, the professors of Film Studies at the Università Ca’ Foscari di Venezia and the Università IUAV di Venezia and, in particular: Ashbrittle Film Foundation, BFI National Archive, Cinémathèque française, Cinémathèque suisse, CNC - Centre national du cinéma et de l’image animée, Compass Film, Croatian Cinematheque – Croatian State Archives, Croatian Audiovisual Centre, Danish Film Institute, Fondazione Cineteca di Bologna, Istituto Luce Cinecittà, Janus Films, Karlovy Vary International Film Festival, Les Grands Films Classiques, L'Immagine Ritrovata, Národní filmový archiv (Czech Film Archive), Nemzeti Filmintézet – Filmarchívum Magyarország (National Film Institute Hungary – Film Archive), Nikkatsu Corp., Park Circus, Swedish Film Institute, The Criterion Collection, The Film Foundation, The Walt Disney Studios, Universal Pictures.

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