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Biennale College Musica 2026

Call for applications

Biennale College Musica 2026

Selection of up to 5 proposals by composers, sound artists and performers for a residency, research and production programme of new projects within the 70th International Festival of Contemporary Music organised by La Biennale di Venezia (10 - 24 October 2026).

 

“The grace of the child who encounters the world with the wonder of a first gaze – or rather, of a first act of listening, respectful of its mystery – is the same grace through which music has the power to disarm us” writes the Artistic Director Caterina Barbieri.

The young participants selected through the open call are invited to propose a project that explores music as an open and intuitive process, rather than as a closed and static form. Just as children’s play is able to transform rules and limitations into a space of invention and creative vision, the young participants are encouraged to integrate performative and compositional practices linked to improvisation and aleatoric processes, exploring liminal territories between electronic music, new audiovisual technologies, acoustic instrumentation, and performance.

“For many artists, music is a tool of purification and healing from early childhood,” writes Artistic Director Caterina Barbieri: “a natural process of catharsis through which the pain of the world can be transformed into beauty, thus protecting the human essence”. From this perspective, the young participants are encouraged to approach artistic creation as a process of collective catharsis and transformation, with the possibility of exploring participatory and dynamic modes of engagement, as an alternative to the passive and frontal format of the traditional concert. In this sense, participants are invited to consider, within their artistic proposal, the integration of a possible dialogue with the city of Venice and its social fabric, in line with an idea of cultural programming that restores to art its profound therapeutic and communal value, at once spiritual and political.

“Music is the childhood of the spirit: an experience that reconnects us to a primeval state of innocence, vitality, and creative power” writes Artistic Director Caterina Barbieri. Like childhood itself, which lives fully in the here and now, music brings us back to the sacredness of the present, to the vulnerability of emotion, and to the open horizon of experimentation: music-making is understood as an embodied and revolutionary act, capable of generating innovation through mutual listening and the interaction between sound, body, and space.

 

The eligible musical project categories are:

  • live performance (with optional audiovisual component)
  • acousmatic composition with multi-channel diffusion
  • audiovisual installation

Figures of excellence from various fields of artistic and theoretical research in contemporary music (ranging from academic research to performance practice, from audiovisual multimedia research to club culture, from electroacoustic music to sound design) will assist young participants in developing their own musical projects through a residency programme held in Venice at the studios of CIMM (Centro di Informatica Musicale e Multimediale della Biennale di Venezia) and other spaces within the Arsenale of Venice.

The selection will be made taking into account the research areas of the different mentors, so that each one can be the direct supervisor of one or two selected projects.
Those selected will attend lectures and conferences held by the mentors and work in residence, creating new projects to be scheduled within the 70th International Festival of Contemporary Music organised by La Biennale di Venezia.

Programme structure

Those selected will participate in a programme of in-depth study, research, creation and production of a new project, structured in three residency sessions in Venice. Projects will be defined in all their aspects with the support of the Artistic Direction, the mentors and the production team of La Biennale.

 

Residency sessions in Venice
13 - 24 April 2026 (arrival 12 April - departure 25 April)
29 June - 10 July 2026 (arrival 28 June - departure 11 July)
28 September - 9 October 2026 (arrival 27 September - departure according to the project presentation date)

Projects will be presented within the 70th International Festival of Contemporary Music (10 - 24 October 2026).

Mentors and areas of interest

Thierry Coduys
Thierry Coduys is a versatile French artist, musician, sound designer, and new-technology specialist, focusing on bridging interaction and contemporary art. Since 1986, he has collaborated with avant-garde composers, Stockhausen, Reich, developing electroacoustic and software solutions for leading-edge performances. Following his tenure at IRCAM and as Luciano Berio's assistant, he founded La Kitchen in 1999, a tech platform uniting research and creation. Since 2002, he has assisted Pascal Dusapin, collaborated with stage director Jean-François Peyret and worked closely with La Biennale di Venezia, both for Biennale College project and for Biennale Musica. He leads IanniX, an interface inspired by Iannis Xenakis’s UPIC, and works with Holophonix on multi-channel spatialization.

 

Lyra Pramuk
Compelled by collectivity, spirituality, consciousness and care, the Berlin-based, American multidisciplinary artist Lyra Pramuk has conceived a unique form of devotional music. It doesn't have to involve formal religion; to Lyra, devotion is the beating heart of her artistry, a way for her to harmonize the open-ended potential of the human voice with the magic of technology as it rapidly evolves. And it roots her latest album 'Hymnal', her own book of transformational worship songs. Exploring the ecstatic genesis of sacred ritual practices, it cultivates many of the themes introduced on her acclaimed 2020 debut 'Fountain'. Lyra draws from folk, house, techno, gospel and her formal classical education, working alongside the Sonar Quartett string ensemble to construct a symphony of the universe that coaxes listeners across dividing lines and towards mutual liberation. This same philosophy underpins pop.soil, her forward-thinking experimental hub and label that deviates from the mainstream by prioritizing growth, cultivation and the exchange of ideas through physical and digital releases, online content, workshops, performances, and a bi-monthly cross-genre radio show on NTS. Frequently commissioned for film scores, sound installations and instrumental compositions, Lyra is also a passionate live performer who's staged ambitious shows across the globe, collaborating with dancers, a chamber orchestra and visual artists to create a collective and pluralistic form of musical worship. To put it in simpler terms: Lyra has faith in her devotion.

 

Miller Puckette
Miller Puckette is known as the creator of Max and Pure Data.  As an MIT student he won the 1979 Putnam mathematics competition, and then  finished his doctorate at Harvard in 1986.  He was a founding member of  the MIT Media lab, then moved to IRCAM in Paris, and is now  distinguished professor emeritus at the University of California, San  Diego and again in residence at IRCAM.  He has also taught at Columbia  University and at the Technical University of Berlin, and has won two  honorary degrees, the SEAMUS award, and the 2023 Silver Lion award of  the Venice Biennale Musica.

 

Marcel Weber
mw/mfo narrates spaces, creates installations and pieces, and works in light, video and scenography. As such he is part of Berlin-Atonal, directing light and visuals, and works in the same capacity for the Venice Biennale Musica.  Recent projects include work with Caterina Barbieri on her “Spirit Exit” album and ”light-years” label tours, in music-theatrical collaborations with aya and with Marcus Schmickler, as well as in a series of staged concerts for Arte TV and Tresor Records, or the operatic “Kistvaen” with Roly Porter. Further he designed lights and sfx for theatre pieces like „Life in this house is over“ by Samantha Shay or “Snowcloud” by choreographer Guillaume Marie, and directed the installation-performance “Nervous System 2020” as well as the large-scale installation “This Too Will Pass” with music by Lyra Pramuk. In the past mw/mfo has toured extensively with sound artists such as Aisha Devi, Ben Frost and Tim Hecker. mw/mfo's performances and installations have been commissioned and featured at venues including the Barbican, Centre Pompidou, CERN, Dark Mofo / Mona, Martin Gropius Bau, Kraftwerk Berlin-Mitte, Volksbühne, Muziekgebouw, Palais des Beaux-Arts Brussels and many others.

 

More mentors to be announced later on.

Conditions and terms of participation

Participation in all residency sessions is mandatory in order to take part in the programme.

The call is open to applicants of legal age from all over the world who have not reached the age of 30 by the application deadline (19 February 2026).

The selection will be made at the sole discretion of Caterina Barbieri, Artistic Director of the Music department of La Biennale di Venezia. The outcome of the selection will be communicated by email by mid-March 2026.
Only the selected participants, following notification of their admission, will be required to pay a registration fee (€ 80,00 including VAT, non-refundable), exclusively via credit card and no later than the indicated date.

La Biennale di Venezia will organize and cover travel and accommodation for participants, who will also have the opportunity to attend the programme of events of Biennale Musica 2026.
Each participant will receive a gross payment of € 2,000 for the realisation of the project.

 

DOCUMENTATION
The documentation - which must be submitted in English by 19 February 2026 via the application form - consists of:

· curriculum vitae (please specify website, if any)
· biography and portfolio
· title and brief description of the project
· motivational letter
· links to previous works (3 music pieces)
· scores (optional)

In the case of application as a duo/collective, each applicant must fill in an application form with their own personal data but submit the same title and brief description of the project.

APPLICATION FORM

 

Incomplete applications will be automatically excluded.

Info

college-musica@labiennale.org

La Biennale di Venezia reserves the right in any case to modify, cancel or interrupt the initiative described above, in that the announcement or the selection do not constitute a binding contract for the same, nor do they entail the right to the reimbursement of any expense other than those specified above.

The integral acceptance of the conditions of the Biennale College Music Call makes the application eligible.

Biennale Musica
Biennale Musica