La Biennale di Venezia

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Venice Film Festival

History 1932-2017

 

The Venice International Film Festival is the oldest film festival in the world and one of the most prestigious. The Festival was organised for the first time in 1932, under the auspices of the President of the Biennale, Count Giuseppe Volpi di Misurata, the sculptor Antonio Maraini, and Luciano De Feo and obtained a great popularity, so as to become an annual event from 1935 onwards. The Venice Film Festival is today a prestigious event that presents every year a selection of world-class films, bringing some of the most successful directors and actors of our time on the red carpet at Lido di Venezia, continuing the tradition that adds the glamour charm that always marked the Festival to a high artistic value program.

 

The 69th Festival in 2012 saw Alberto Barbera as the new artistic director alongside remarkable new initiatives: the launch of Biennale College - Cinema, a higher education training workshop for the development and production of micro-budget audio-visual works, and the establishment of the Venice Film Market in dedicated spaces at the Excelsior Hotel. As part of the renovation – in agreement with the City of Venice – of the existing facilities of the Festival, which included the restoration of the Sala Grande in 2011, a new, larger and more functional foyer in the Palazzo del Cinema was built to welcome the public. The intervention also included the renovation of two historic screening rooms, the Pasinetti and Zorzi, for an overall extension of 50 more seats.

The retrospective was titled «80!» on the occasion of the 80th anniversary of the Venice Film Festival (1932-2012) and presented unique copies of films thought to be lost but actually existing in the Biennale's ASAC archive collections. This was complemented by the Venice Classics section of restored classic films. The opening film was Mira Nair's The Reluctant Fundamentalist; the Golden Lion for Lifetime Achievement was given to Italian director Francesco Rosi, who received the award from Giuseppe Tornatore. The main jury chaired by Michael Mann awarded the Golden Lion to Pieta by Kim Ki-duk and the Silver Lion and the Coppa Volpi for best actor to The Master by Paul Thomas Anderson and the two actors Philip Seymour Hoffman and Joaquin Phoenix. Among the stars that were on the red carpet, Robert Redford (his first-time attendance on the Lido), Michael Cimino (Persol Award), Spike Lee (Jaeger-LeCoultre Glory to the Film-maker Award), Brian De Palma, Jonathan Demme, Kate Hudson, Liev Schreiber, Winona Ryder, Michael Shannon, Ray Liotta, Pierce Brosnan, Michael Fassbender, Isabelle Huppert, Claudia Cardinale, Noomi Rapace, Kristin Scott Thomas, Olga Kurylenko, Emmanuelle Seigner, Takeshi Kitano, Peter Brook, Liliana Cavani, Marco Bellocchio, Toni Servillo, Valerio Mastandrea, Barbora Bobulova and teen-idols such as Selena Gomez, Vanessa Hudgens, Zac Efron, James Franco, and Shia LaBeouf.

To celebrate its 70th edition, the Festival of 2013, directed by Alberto Barbera, created the special project, Venezia 70 - Future Reloaded. 70 directors from all around the world made a short film, lasting between 60 and 90 seconds, in total creative freedom. All these short films were given their world premiere at the Lido during the 70thFestival, and later published on the Biennale website www.labiennale.org in a new and specific page dedicated to the history of the Festival, with the addition of rare photographs and unique documents preserved at the Biennale Historical Archives of Contemporary Arts (ASAC), as well as 40 excerpts from footage films kept in the archives of the Archivio Storico Istituto Luce Cinecittà (which were screened at the Festival before the films from the Official Selection). The 2013 edition also presented successfully the 3 feature films of the Biennale College – Cinema, an advanced workshop opened to young filmmakers from around the world for the production of micro-budget films, launched at the 2012 Festival. It also announced the 12 projects of the 2nd edition of the Biennale College – Cinema 2013/14. The 2nd edition of the Venice Film Market also proved to be a success, set up in dedicated spaces at the Hotel Excelsior, and involving 246 major distributors. As part of the redevelopment of the historic structures of the Festival – carried out jointly with the City of Venice – the Palazzo del Casinò had a new 150-seat room (Sala Casinò) and the Press Room was expanded and technologically improved.

Gravity, directed by Alfonso Cuarón and starring Sandra Bullock and George Clooney, was the opening film in 3D. The Golden Lion for lifetime achievement of the Biennale was awarded to American film director William Friedkin. The Jury of the Venice 70 competition, headed by Bernardo Bertolucci, awarded the Golden Lion to the film Sacro GRA by the Italian director Gianfranco Rosi. The Silver Lion for Best Director was awarded to Alexandros Avranasfor Miss Violence (Greece), the Grand Jury Prize went to Jiaoyouby Tsai Ming-liang (Chinese Taipei). The Coppa Volpi for Best Actor was awarded to Themis Panou forMiss Violence (Greece), the Coppa Volpi for Best Actress to Elena Cottafor Via Castellana Bandiera, by Emma Dante. The Italian film master Ettore Scola received the Jaeger-LeCoultre Glory to the Filmmaker award. For the occasion his film was screened, Che strano chiamarsi Federico, a homage to Federico Fellini 20 years after his passing; present at the screening was the President of the Republic, Giorgio Napolitano. Among the other masters and stars at the Lido were Andrzej Wajda (Persol Award, awarded in the presence of Lech Walesa), Paul Schrader, Bret Easton Ellis, Mia Wasikowska, Nicolas Cage, Tye Sheridan, Jesse Eisenberg, Dakota Fanning, Judi Dench, Steve Coogan, James Franco, Scott Haze, Tom Welling, Daniel Radcliffe, Tom Hardy, Scarlett Johansson, Errol Morris, Terry Gilliam, Stephen Frears, Amos Gitai, Kim Ki-duk, Patrice Leconte, Pablo Larraín, Sion Sono, Edgar Reitz, Tsai Ming-liang, Wang Bing, Philippe Garrel, Anna Mouglalis, Louis Garrel, Rebecca Hall, Alan Rickman, Richard Madden, Carrie Fisher, Martina Gedeck, Virginie Ledoyen, Catalina Sandino Moreno, Jiang Wen, Ken Watanabe, Ryuichi Sakamoto, Gianni Amelio, Alba Rohrwacher, Antonio Albanese, Giuseppe Battiston, Anita Caprioli, Marco Paolini, and Carlo Verdone.

In 2014, following an agreement with the Venice City Council, the Sala Darsena theatre was completed renovated and enlarged from 1300 to 1409 seats: the inaugural event took place on 26 August for the Festival pre-opening dedicated to the anniversary of World War I, featuring the screening of Maciste alpino (1916) by Luigi Maggi and Luigi Romano Borgnetto (direction supervisor Giovanni Pastrone) in a new restored copy. Birdman or The Unexpected Virtue of Ignorance by Alejandro González Iñárritu starring Michael Keaton was the opening film on 27 August. The Golden Lions for Lifetime Achievement were awarded to film editor Thelma Schoonmaker and to director Frederick Wiseman. The Venezia 71 jury, chaired by Alexandre Desplat, awarded the Golden Lion for Best Film to En duva satt på en gren och funderade på tillvaron (A Pigeon Sat On A Branch Reflecting On Existence) by Roy Andersson. The actor, director, screenwriter and producer James Franco was presented the Jaeger-LeCoultre Glory to the Filmmaker Award 2014. For the occasion, James Franco's new film, The Sound and the Fury screened out of competition. Actress Frances McDormand was presented the Persol Tribute to Visionary Talent Award 2014, and Olive Kitteridge directed by Lisa Cholodenko starring Frances McDormand screened out of competition.

Stars on the red carpet included Al Pacino, Catherine Deneuve, Michel Piccoli, Charlotte Gainsbourg, Chiara Mastroianni , Edward Norton, Emma Stone, Andrew Garfield, Ethan Hawke, Viggo Mortensen, Michael Shannon, Abel Ferrara, Willem Dafoe, Owen Wilson, Andrea Riseborough , Stellan Skarsgård, Tahar Rahim, Maria De Medeiros, Anna Mouglalis, Elio Germano, Riccardo Scamarcio, Luca Zingaretti, Milla Jovovich, Ryô Kase, Anton Yelchin, Ashley Greene, Alexandra Daddario, Shinya Tsukamoto, Wang Xiaoshuai, Amos Gitai, Peter Bogdanovich, Peter Ho-Sun Chan, Ann Hui, Im Kwontaek, Barry Levinson, Hong Sangsoo, Fatih Akin, David Gordon Green, Andrew Niccol, Benoît Jacquot, Xavier Beauvois, Ulrich Seidl, Aléx de la Iglesia, Ami Canaan Mann, and Michael Almereyda. Three feature films in the Biennale College – Cinema section were presented: H. by Rania Attieh and Daniel Garcia, Blood Cells by Luke Seomore and Joseph Bull, and Short Skin by Duccio Chiarini. Biennale College – Cinema is a project promoted by the Biennale di Venezia since 2012 and aimed at new talents in cinema by offering them the opportunity to produce micro-budget feature films; the 12 selected projects for the 3rd edition of the Biennale College – Cinema 2014/15 were also announced. The 3rd edition of the Venice Film Market took place in dedicated spaces at the Excelsior Hotel.

In 1999, the Sala Perla alongside the historic Palazzo del Cinema was restructured and expanded (seating for 580), seating in the PalaBNL was increased to 1700, and the Palazzo del Casinò cinemas reserved for journalists and professionals from the world of cinema were enlarged, to an overall surface area of 11,000 sq.m.

Alberto Barbera, director of the Festival from 1999 to 2001, created the section "Cinema del Presente" in parallel to the customary competition. He embarked on a double course of action. In addition to the Golden Lion we had the Lion of the Year aimed to highlight debut films and fringe feature films, as well as works comparable to genres and current productions, with innovative intentions and creative originality. All of the Golden Lions assigned during Barbera's concluding period went to films from the East: Not One Less by Zhang Yimou, The Circle by Jafar Panahi, and Monsoon Wedding by Mira Nair.

The 2002 and 2003 editions were directed by Moritz de Hadeln. In 2002, Peter Mullan's The Magdalene Sisters won the Golden Lion; the collective film 11'09''01 - September 11 also raised much attention and debate. In 2003, Woody Allen landed on the Lido to open the fest with his Anything Else, and many other stars followed by, including George Clooney and Catherine Zeta-Jones (Intolerable Cruelty), Sean Penn and Naomi Watts (21 Grams), Anthony Hopkins (The Human Stain), Salma Hayek and Johnny Depp (Once upon a time in Mexico), Bill Murray (Lost in Translation), Tim Robbins (Code 46), and Nicolas Cage (Matchstick Men). Andrej Zvjagintsev's Vozvrašcenje (The Return) won the Golden Lion.

In 2004Marco Müller was appointed as director of the Cinema section. The festival awarded Manoel de Oliveira and Stanley Donen with the Golden Lion for Career Achievement. Mike Leigh's Vera Drake won the Golden Lion for best film. A retrospective section was dedicated to the Secret History of Italian Cinema, whose first segment Italian Kings of the B's was also presented in Tokyo, Milan, and London.

In 2005, Müller brought to the Lido a number of celebrities including Tsui Hark, George Clooney, Steven Soderbergh, Ang Lee, Jeremy Irons, Monica Bellucci, Susan Sarandon, Russell Crowe, Renée Zellweger, Ron Howard, Isabelle Huppert, Anthony Hopkins, Abel Ferrara, Stefania Rocca, John Turturro, Charlotte Rampling, Tim Burton, Emmanuelle Seigner, Ralph Fiennes, and Valeria Golino among others. The retrospective section was dedicated to the Secret History of Asian Cinema, Hayao Miyazaki and Stefania Sandrelli were awarded with the Golden Lion for Career Achievement, and Ang Lee's Brokeback Mountain won the Golden Lion for best film.

Stars who walked down the red carpet in 2006 included: Ben Affleck, Sabine Azema, Juliette Binoche, Kenneth Branagh, Adrien Brody, Sandra Bullock, Jackie Chan, Laura Dern, Aaron Eckhart, Emilio Estevez, Charlotte Gainsbourg, Josh Hartnett, Anne Hathaway, Ethan Hawke, Bob Hoskins, Jeremy Irons, Scarlett Johansson, Mia Kirshner, Diane Lane, Lindsay Lohan, Helen Mirren, Clive Owen, Catalina Sandino Moreno, Christian Slater, Meryl Streep, Stanley Tucci, Rachel Weisz, James Wilby, Lambert Wilson, and Zhang Ziyi. Retrospective sections were dedicated to the Secret History of Russian Cinema and to Joaquim Pedro de Andrade. David Lynch was awarded the Golden Lion for Lifetime Achievement, and Jia Zhangke's Still Life won the Golden Lion for Best Film.

In 2007, the Venice Film Festival celebrated its 75th anniversary. Director Alexander Kluge, who was also born in 1932 and the winner in Venice of two Golden Lions and one Silver Lion, prepared a special retrospective program on the last 75 years in the history of cinema. A special award was created, the Golden Lion of the 75th edition, and presented to Bernardo Bertolucci. The other main awards went to Tim Burton, the Golden Lion for Lifetime Achievement, and to Ang Lee, who won the Golden Lion for best film (Lust, Caution) for the second time in the three latest editions. The retrospective section was dedicated to Spaghetti Western and presented 40 famous film belonging to that genre. The red carpet of this edition was scattered with stars such as Keira Knightley, James McAvoy, Adrien Brody, Jude Law, Brad Pitt, George Clooney, Tilda Swinton, Susan Sarandon, Richard Gere, Fanny Ardant, Nikita Mikhalkov, Colin Farrell, Ewan McGregor, Takeshi Kitano, Rutger Hauer, Daryl Hannah, and Charlize Theron, just to name the main protagonists.

In 2008, the 65th edition, headed by Marco Müller, presented Ermanno Olmi the Golden Lion for Lifetime Achievement. The These Phantoms: Italian Cinema Rediscovered (1946-1975) retrospective was curated by Tatti Sanguineti and Sergio Toffetti and comprised the screening of about 30 films made during the three finest decades of Italian cinema. Lots of stars, as usual, during the 11 days of the festival: among them, Mickey Rourke, Charlize Theron, Silvio Orlando, Francesca Neri, Isabella Ferrari, Anne Hathaway, Valerio Mastandrea, Stefania Sandrelli, George Clooney, and Brad Pitt. The Venezia 65 international jury, chaired by Wim Wenders, awarded the Golden Lion for Best Film to The Wrestler by Darren Aronofsky.

In 2009 the Festival awarded John Lasseter and the Disney•Pixar directors the Golden Lion for Lifetime Achievement. The retrospective on Italian cinema continued with These Phantoms: Italian Cinema found again (1946-1975), curated by Sergio Toffetti. Director Marco Müller added the Controcampo Italiano section to the official selection, the new section being intended towards focusing on trends of Italian contemporary cinema. The Venezia 66 international jury, chaired by Ang Lee, awarded the Golden Lion for Best Film to Lebanon by Samuel Maoz. Among the stars who attended the Festival were Colin Firth, Tom Ford, Julianne Moore, George Clooney, Tilda Swinton, Giuseppe Tornatore, Sergio Castellitto, Eva Mendes, Nicolas Cage, Werner Herzog, Michael Moore, Riccardo Scamarcio, Diane Kruger, Isabelle Huppert, Viggo Mortensen, Jacques Rivette, and Jane Birkin. 

In 2010, the Festival opened with Darren Aronofsky's Black Swan; the opening screening was attended by President Giorgio Napolitano. Ten years after the death of Vittorio Gassman, the Festival honoured one of the most extraordinary personalities of Italian cinema with the screening of Vittorio racconta Gassman, una vita da Mattatore, a documentary based on footage of the actor speaking about his career. The jury of the 67th Venice Film Festival awarded the Golden Lion for Best Film in Competition to Somewhere, directed by Sofia Coppola. The Golden Lion for Lifetime Achievement went to legendary Hong Kong movie director John Woo. Among the stars appearing on the red carpet were Natalie Portman, Vincent Cassel, Jessica Alba, Elle Fanning, Stephen Dorff, Ben Affleck, Jon Hamm, Rebecca Hall, Vincent Gallo, Willem Dafoe, Catherine Deneuve, Helen Mirren, Paul Giamatti, Rosamund Pike, John Turturro, Monte Hellman, Takashi Miike, Marco Bellocchio, Alessandro Gassman, and Kim Rossi Stuart. The 2010 edition saw the Orizzonti section thrown open to a vast range of productions. Even more so than in previous years, Orizzonti became the reference section for the more innovative and experimental filmmakers. The retrospective section was dedicated to Italian comedies and was titled La situazione comica (1937-1988).

In 2011, through an agreement with the City of Venice a radical renovation restored the historic Sala Grande (1937) to its original style. The whole walkway leading from the Hotel Excelsior to the Casino Palace was refurbished. The Lion's Bar was completely redeveloped focusing on quality design also for the adjacent areas. The festival opened with the American film The Ides of March, directed by George Clooney. Italian filmmaker Marco Bellocchio, among the most influential directors in the Italian filmmaking industry and one of the undisputed masters of contemporary cinema, was awarded the Golden Lion for Lifetime Achievement. American actor and film director Al Pacino was presented with the 2011 Jaeger-LeCoultre Glory to the Film-maker Award. Out of Competition, Al Pacino also presented the world premiere of his film Wilde Salome. The Persol 3D award went to the Zapruder Filmmakers Group, which, for many years, had been exploring the possibilities of stereoscopic film for the production of films and installations that borrow the techniques of 3-D cinema. The L’Oréal Paris cinema award went to Nicole Grimaudo.
Jury members Eija-Liisa Ahtila, David Byrne, Todd Haynes, Mario Martone, Alba Rohrwacher, André Téchiné, and jury president Darren Aronofsky awarded the Golden Lion to Faust by Russian director Aleksander Sokurov. Among the stars appearing on the Lido red carpet in 2011, in addition to George Clooney and Al Pacino, were Philip Seymour Hoffman, Paul Giamatti, Evan Rachel Wood, Kate Winslet, Christoph Waltz, Madonna, Abbie Cornish, Keira Knightley, Viggo Mortensen, Michael Fassbender, Monica Bellucci, Louis Garrel, Gwyneth Paltrow, Matt Damon, Laurence Fishburne, James Franco, Jessica Chastain, Gary Oldman, Colin Firth, Benedict Cumberbatch, Willem Dafoe, Emile Hirsch, David Cronenberg, Steven Soderbergh, Abel Ferrara, Johnnie To, and William Friedkin. The retrospective section was titled Orizzonti 1961-1978 and was dedicated to Italian avant-garde films of the 1960s-70s.

 

 

In 1990 the jury headed by Gore Vidal assigned the Golden Lion to Tom Stoppard's Rosencrantz and Guildenstern Are Dead, in preference to the visionary emerging talent of Jane Campion. This controversial decision kindled heated debate between the public and experts, with shades of the '50s when the juries apparently ignored Visconti's films. An Angel at My Table only received the Jury Grand Prix. Likewise the great surprise of the following year, Raise the Red Lantern by Chinese director Zhang Yimou, did not succeed in winning the Golden Lion (it went instead to Michalkov's Urga), however the last Festival directed by Biraghi was distinguished by a broad variety in selection, and the inclusion of young American talent such as Spike Lee and Gus Van Sant.

Filmmaker Gillo Pontecorvo (nominated Curator in 1992 then appointed Director until 1996), the director of La battaglia di Algeri, took up office with three decrees: make Venice the capital of quality filmmaking, bring the great directors and film stars back to the Lido, and revitalise the Palazzo del Cinema zone with young people. Pontecorvo succeeded in his intentions through a remarkable series of events and initiatives. During the years of his mandate Venice hosted the "Auteurs' Assise" (1993), numerous seminars were held and the U.M.A.C. (World Union of Auteurs) was founded. The spectacular films from the Notte section brought "stars" from the US firmament to the Lido - Jack Nicholson, Harrison Ford, Bruce Willis, Kevin Costner, Mel Gibson, Nicole Kidman, Tom Hanks, Denzel Washington, with Golden Lions for Career Achievement to Dustin Hoffman, Al Pacino, Robert De Niro, and Francis Coppola; at the 1992 Festival, the Golden Lion was awarded to a comedian, Paolo Villaggio. The Lido was re-animated during the Pontecorvo years with rock concerts held in the square facing the Casinò, and thanks to the initiative of "CinemAvvenire", which entailed inviting high school students who had won awards for work on film themes.

Of the films and filmmakers launched during Pontecorvo's period, mention must be made of the young Italians Mario Martone (Morte di un matematico napoletano), Aurelio Grimaldi (La discesa di Aclà a Floristella), Carlo Carlei (La corsa dell'innocente at the first Festival, along with Sally Potter (Orlando) and Neil Jordan (The Crying Game). Over the following years the Lido witnessed a series of appearances by filmmakers and works including Altman (Short Cuts, Golden Lion) and Abel Ferrara, de Heer and Radford (Il postino), Peter Jackson (Heavenly Creatures) and Milcho Manchevski (Before the Rain, Golden Lion), Lee Tamahori and Kathryn Bigelow (Strange Days), Tsai Ming Liang and Anh Hung Tran (two oriental Golden Lions), Gregg Araki, then Jane Campion once more (The Portrait of a Lady).
One of the innovations introduced by Pontecorvo was the landmark section "Finestra sulle immagini", a lively workshop of film and video, shorts, medium length and feature films, animation, anything new and unusual on offer from audio-visual production.

Under the direction of Felice Laudadio the films of Takeshi Kitano were launched on the international stage; in 1997 he received the Golden Lion for Hana-bi. In 1998 Così ridevano by Gianni Amelio became the ninth Golden Lion awarded to an Italian film. At this time a vast marquee was also erected in Via Sandro Gallo to host the ever-increasing members of the public for the Festival screenings.

In 1999, Alberto Barbera was appointed as director of the festival. He took up the position until 2001.

 

 It took Carlo Lizzani, director from 1979 to 1982, to win back international prestige for the Festival, flanking films in competition with significant retrospectives, sections devoted to experimentation ("Officina") and most importantly the new section "Mezzogiorno-Mezzanotte" devoted to spectacular films (Spielberg's Raiders of the Lost Ark and E.T.), remakes (Vertigo, Leave Her to Heaven) or eccentrics, ideated by the great, late critic Enzo Ungari. The formula inaugurated by the Lizzani-Ungari duo was to become a model for festivals throughout the world.

In 1980 the Golden Lion was re-introduced, with an ex aequo award for Louis Malle (Atlantic City) and John Cassavetes (Gloria). Over these years Venice helped establish New German Cinema throughout the world. Filmmakers such as Wim Wenders and Margarethe Von Trotta (the first woman to win the Golden Lion) received the highest recognition at the Festival, Rainer Werner Fassbinder's Berlin Alexanderplatz (1980) was screened in episodes to great acclaim while the controversial Querelle de Brest, presented in '82, a matter of months after the death of the director, divided the jury when it did not win the Golden Lion.

The new course was consolidated in 1983, under the direction of Gian Luigi Rondi. The Festivals were numbered once again, expanded organisation planned for, the sections were made permanent fixtures and greater attention given to the masters of cinema from the past and present. Godard won in '83 with Prénom Carmen, Zanussi in '84 with A Year of the Quiet Sun, Agnes Varda in '85 with Vagabonde, Rohmer in '86 with Le rayon vert. 1984 saw the creation of SIC, the International Critics' Week, run independently by the National Italian Film Critics Union and devoted to debut and second works.

Guglielmo Biraghi, writer and film critic for the Rome daily "Il Messaggero", not to mention director of the Taormina Festival, became the 14th director of the Venice Festival in 1987. Widely travelled and a great linguist, Biraghi (who passed away in 2001) distinguished his mandate (extended for five festivals up until 1991) with a taste for experimentation and discovering unusual filmmakers and types of cinema. Biraghi's first Festival featured a competition line-up of an Indian, Lebanese, Swiss, Norwegian, Korean and Turkish film. In 1989 he presented O Recado das Ilhas by Ruy Duarte de Carvalho, the very first film from the Cape Verde islands ever to be screened at an international festival. 

Well organised and with a workable programme (competition, International Critics' Week, tribute to Mankiewicz), appreciated by the experts (Biraghi's nomination was given full backing by the Union of Critics), Biraghi's first Festival assigned an award to festival veteran Louis Malle (Au revoir les enfants), discovered Carlo Mazzacurati in the Critics' Week (Notte italiana), presented important films such as The Untouchables by Brian De Palma, The Dead by John Huston and The House of Games by David Mamet. Considerable hue and cry was caused by the "experiment" Giulia e Giulia, a film by Peter Del Monte produced by the Rai (Italian National Broadcasting) and shot with "high definition" cameras, though it did not receive critical acclaim.

In '88 Biraghi enriched the programme with the sections "Orizzonti", "Notte" and the "Eventi speciali", including the film The Last Temptation by Martin Scorsese. A sentimental-erotic re-interpretation of the final days of Christ, the film stirred up a hornet's nest of polemics in religious circles in both America and Italy, before it was screened in Venice. The film was screened in its entirety in the Palazzo del Cinema, protected as if it were a bunker, and Scorsese outlined the artistic reasons behind his choice at a crowded but orderly press conference. The 1988 Festival saw the discovery of the talent of Pedro Almodovar (Women on the Verge of a Nervous Breakdown) and a comedy of international success A Fish Called Wanda. 1989 on the other hand was the year of Polish director Kieslowski and his Dekalog (Ten Commandments), one of which was shown each day, dividing the interest of both public and press. Together with Kieslowski, the start of the Festival was Nanni Moretti with his much-debated Palombella rossa excluded from the official selection but presented in the International Critics' Week.

 

As an effect of the dissent, prize-giving was abolished in '68. From 1969 to 1972 the Festival was non-competitive (the first two were directed by Ernesto G. Laura, and the successive one by Gian Luigi Rondi), and numerous parallel festivals were organised. In 1971 John Ford and Charlie Chaplin the following year, received the Golden Lion for Career Achievement assigned by the Festival. 1971 was also the year in which festival audiences saw a Chinese film screened for the first time: Hung sik laung dje ching.

In 1972 the historic city centre of Venice was used as the venue for the "Giornate del Cinema italiano", in contrast with the Festival held at the Lido. From 1974 to 1976, under the direction of Giacomo Gambetti, an attempt was made at a "different" Festival with "proposals for new films", tributes, retrospectives and conventions, with some screenings still in Venice. 1977 saw an event focused on cinema in Eastern Europe that was integrated into the Biennale project on "cultural dissent". The Festival did not take place in 1978.

Between 1961 and 1962 the Festival successfully became a showcase for renewal in cinema. The different sections included films from free British cinema, the consecration of the nouvelle vague, and young Italian directors: Pasolini, Bertolucci and the Taviani brothers. The Lions were reliable and not lacking in courage: L'année dernière à Marienbad by Alain Resnais and the Zurlini/Tarkovskij team with Cronaca familiare and Ivan's Childhood.

Then came the era of Luigi Chiarini, the "professor"; from 1963 to 1968 he renewed the spirit and structure of the Venice International Film Festival. A coherent and authoritative director who spent six years organising series of films according to strict aesthetic criteria regarding selection and resisting the social scene, political pressures and the interference of the film industry. Chiarini skilfully placed the work of masters with that of young emerging talents: Godard and Dreyer, Bergman and Penn, Pasolini and Bresson, Kurosawa and Bellocchio, Truffaut and Rossellini, then Carmelo Bene, Cassavetes and Cavani. This continued up until the last Lion, in 1968, that meant an opening onto the neuer deutscher Film with Alexander Kluge's Die Artisten in der Zirkuskuppel: ratlos.

The Festival (along with the Biennale) still had a statute dating back to the fascist era and could not side-step the general political climate. Sixty-eight produced a dramatic fracture with the past. Up until 1980 the Lions were not awarded.

Over the years the Festival has had a noteworthy influence on the history of world cinema. Japanese cinema has become well known in the West mostly thanks to the Golden Lion awarded to Akira Kurosawa's Rashômon in 1951, and successively through the Silver Lions won by Ugetsu Monogatari (1953) and Sanshô Dayû (1954) by Kenji Mizoguchi, not to mention the presence of films such as Biruma no Tategoto (1956) by Kon Ichikawa. It was the same case for Indian film, Golden Lion in 1957 to Satyajit Ray's Aparajito. Eastern European cinema was brought to world attention partly through the Grand Prix awarded to the film Siréna (1947) by Karel Stekly (Czechoslovakia), and later thanks to the presence of emerging filmmakers such as Andrzey Waida (Popiól i diament, 1959).

After the first neo-realist films were shown at the Festival (Paisà by Roberto Rossellini and Il sole sorge ancora by Aldo Vergano in 1946, La terra trema by Luchino Visconti in 1948), a number of foremost Italian figures were recognised as leading talents in the '50s and '60s: Fellini, Antonioni, Rosi, Olmi, Bertolucci, Pasolini, Vancini, De Seta, and Zurlini. The fact that Luchino Visconti did not receive the Golden Lion for Senso in 1954 nor for Rocco e i suoi fratelli in 1960 led to heated debate. Visconti was to be awarded the top prize in 1964 for Vaghe stelle dell'Orsa.

French cinema marked decisive steps in the Festival history, with the presence of directors such as Jean Renoir (The Southerner, 1946), Henri-Georges Clouzot (Manon, 1949), Robert Bresson (Journal d'un curé de campagne, 1951), Marcel Carnè (Theresa Raquin, 1953), Louis Malle (Les amants, 1958), Alain Resnais (L'année dernière à Marienbad, 1961) and Jean-Luc Godard (Vivre sa vie, 1962; La chinoise, 1967).

Great figures in world cinema received awards with significant works: Carl Theodor Dreyer (Ordet, 1955), emergent Andrej Tarkovskj (Ivan's Childhood, Golden Lion in 1962), Luis Buñuel (Belle de jour, 1967), Ingmar Bergman (The Face/The Magician, 1959), who had first come to the Lido in 1948 as an unknown figure with Musik i mörker.

 

Because of the war, few countries participated in the 1940, 1941 and 1942 Festivals, not taken into consideration later on, with the dominating presence of the members of the Alliance. Following the war pause, the Festival was held again in 1946 with screenings at Cinema San Marco (the Palazzo del Cinema had been requisitioned by the Allies).

In 1946, in view of an agreement with Cannes, which had held its first festival that year in the spring, a simple transitory festival was organised in September. The 1947 Festival was held in the splendid setting of the courtyard of the Ducal Palace, with a record audience of 90,000. It was one of the best festivals and saw the return of the USSR and the new "popular democracies" including Czechoslovakia, which won first prize for Siréna by Karel Stekly. That year the international jury was reinstated to assign the International Grand Prix of Venice. Up until 1948 the director was Elio Zorzi, a Venetian.

Proceedings were transferred permanently back to the Palazzo del Cinema on the Lido in 1949, and the Golden Lion of St. Mark introduced for best film.

During the Fifties the Festival experienced a period of international expansion, with the affirmation of new types of film (Japanese, Indian), and the arrival of leading directors and film stars. The Festival director's chair was occupied by Antonio Petrucci (from 1949 to 1953), Ottavio Croze (1954 and 1955), Floris Ammannati (from 1956 to 1959) and Emilio Lonero in 1960.

The first "Esposizione d'Arte Cinematografica" came into being in 1932 as part of the 18th Venice Biennale (from 6 July to 21 August 1932) under the auspices of Count Giuseppe Volpi di Misurata, President of the Biennale, the sculptor Antonio Maraini, General Secretary, and Luciano De Feo, General Secretary of the International Institute for Educational Cinema, based in Rome. Luciano De Feo was the very first director-selector.

Italy's highest authorities gave their approval to what would rightly be considered the first international event of its type. The 1932 Festival was held on the terrace of the Hotel Excelsior on the Venice Lido, and while at that stage it was not a competitive event, it included foremost films which became classics in the history of cinema: It Happened One Night by Frank Capra, Grand Hotel by Edmund Goulding, The Champ by King Vidor, Frankenstein by James Whale, Zemlja by Aleksandr Dovzenko, Gli uomini, che mascalzoni! by Mario Camerini and A nous la liberté by René Clair. The list of directors included leading names such as: Raoul Walsh, Ernst Lubitsch, Nikolaj Ekk, Howard Hawks, George Fitzmaurice, Maurice Tourner, and Anatol Litvak. The top stars of the moment appeared on the screen, from Greta Garbo to Clark Gable, Fredric March to Wallace Beery, Norma Shearer to James Cagney, Ronald Colman to Loretta Young, John Barrymore to Joan Crawford, and Vittorio De Sica, attracting over 25 thousand spectators.

The very first film to be shown in the history of the Festival was Rouben Mamoulian's Dr. Jekyll and Mr. Hyde, that was screened at 9:15 p.m. on 6 August 1932. In the report taken from 'La Gazzetta di Venezia' we learn that "the screening of the film" was followed by a grand ball in the Hotel Excelsior and "colourful comings and goings of the most exquisite attire". As there were no official awards, an audience referendum was conducted: best director was the Soviet Nikolaj Ekk for Putjovka v zizn, while the best film was René Clair's A nous la liberté.

The second Festival was held from 1 to 20 August 1934 and for the first time it included a competition. 19 countries took part with over 300 accredited journalists. The "Coppa Mussolini" was introduced for best foreign film and best Italian film; however there was no actual jury.

The awards were assigned by the President of the Biennale, after listening to the opinions of both experts and audiences, and in accordance with the "National Institute for Educational Cinema", a branch of the Society of Nations based in Rome. Other awards were the "Great Gold Medals of the National Fascist Association for Entertainment" to best actor and actress. The prize for best foreign film to Flaherty's Man of Aran, was a confirmation of the taste of the time for auteur documentaries.

As of 1935 the Festival became a yearly event (a clear sign of its international success) under the direction of Ottavio Croze. There was an increase in the number of films and countries participating, and the actors' award was renamed "Coppa Volpi". In 1936 an international jury was nominated for the first time and in 1937 the new Palazzo del Cinema was inaugurated (designed by the architect Luigi Quagliata), after a record construction time in line with the modernist trends of the era; with the exception of the years 1940 to 1948, it has hosted the Festival ever since. The Festival expanded: the number of participating countries increased as did the number of films accepted. 1938 meant the first retrospective, devoted to French cinema from 1891 to 1933. Marlene Dietrich came to the Lido, consecrating the star worship that accompanied the Festival.

As regards foreign films, selected by their respective countries until 1956, French cinema in particular, the '30s saw masterpieces the likes of René Clair's A nous la liberté (1932) and Duvivier's Un carnet de bal (1937), La grande illusion (1937) by Renoir, Quai des brumes (1938) and Le jour se lève (1939) by Marcel Carnè. The Italian award-winning films between 1937 and 1942 were works of propaganda, even if by outstanding directors such as Goffredo Alessandrini and Augusto Genina. The Festival was held three times during the Second World War, from 1940 to 1942 (not counted in the total number of festivals), with screenings temporarily held at the cinema San Marco in Venice, and participation limited to the member countries or sympathisers with the Alliance.

 

The awards of the Venice Film Festival from 1934 to the present day

2018: ROMA (Mexico) by Alfonso Cuarón

2017: The Shape of Water (USA) by Guillermo del Toro

2016: Ang babaeng humayo (The Woman Who Left) (Philippines) by Lav Diaz

2015: Desde allá (Venezuela, Mexico) by Lorenzo Vigas

2014: En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence) (Sweden, Germany, Norway, France) by Roy Andersson

2013: Sacro GRA (Italy, France) by Gianfranco Rosi

2012: Pieta (Republic of Korea) by Kim Ki-duk

2011: Faust (Russia) by Aleksander Sokurov

2010: Somewhere (USA) by Sofia Coppola

2009: Lebanon (Israel, France, Germany) by Samuel Maoz

2008: The Wrestler (USA) by Darren Aronofsky

2007: Se, jie (Lust, Caution) (USA/China/Taiwan) by Ang Lee

2006: Sanxia haoren (Still Life) (China) by Jia Zhangke

2005: Brokeback Mountain (USA) by Ang Lee

2004: Vera Drake (UK) by Mike Leigh

2003: Vozvrashcheniye (The Return) (Russia) by Andrei Zvyagintsev

2002: The Magdalene Sisters (UK) by Peter Mullan

2001: Monsoon Wedding (India) by Mira Nair

2000: Dayereh (Iran) by Jafar Panahi

1999: Not One Less (China) by Zhang Yimou

1998: Così ridevano (Italy) by Gianni Amelio

1997: Hana-bi (Japan) by Takeshi Kitano

1996: Michael Collins (Ireland) by Neil Jordan

1995: Cyclo (Vietnam) by Tran Ahn Hung

1994: Before the Rain by Milcho Manchevski (Republic of Macedonia) and Aiqing wansui - Vive l’amour by Tsai Ming-liang (China), joint winners

1993: Short Cuts by Robert Altman (USA) and Trois couleurs. Bleu by Krzysztof Kieslowski (France), joint winners

1992: Qui Ju da guansi (The Story of Qiu Ju) by Zhang Yimou (China)

1991: Urga by Nikita Mikhalkov (URSS)

1990: Rosencrantz and Guildestern are dead by Tom Stoppard (UK)

1989: Beiqing shenghsi (A City of Sadness) by Hou Xiaoxian (Taiwan)

1988: La leggenda del santo bevitore by Ermanno Olmi (Italy)

1987: Au revoir les enfants by Louis Malle (France)

1986: Le rayon vert by Eric Rohmer (France)

1985: Sans toit ni loi by Agnès Varda (France)

1984: Rok Spokojnego Slonca (The Year of the Quiet Sun) by Krzysztof Zanussi (Poland)

1983: Prénom Carmen by Jean-Luc Godard (France)

1982: Der Stand der Dinge (The State of Things) by Wim Wenders (West Germany)

1981: Die Bleierne Zeit (The German Sisters) by Margarethe von Trotta (West Germany)

1980: Atlantic City by Louis Malle (Canada) and Gloria by John Cassavetes (Usa), joint winners
 

1969-1979: awards not assigned

1968: Die Artisten in der Zirkuskuppel: ratlos (West Germany) by Alexander Kluge

1967: Belle de jour (France) by Luis Buñuel

1966: La battaglia di Algeri by Gillo Pontecorvo

1965: Vaghe stelle dell'Orsa by Luchino Visconti

1964: Deserto rosso by Michelangelo Antonioni

1963: Le mani sulla città by Francesco Rosi

1962: Ivanovo detstvo (URSS) by Andrej Tarkovskij and Cronaca familiare by Valerio Zurlini

1961: L'année dernière à Marienbad (France) by Alain Resnais

1960: Le passage du Rhin (France) by André Cayatte

1959: Il generale Della Rovere by Roberto Rossellini and La grande guerra by Mario Monicelli (joint winners)

1958: Muhô-Matsu no Isshô (Japan) by Hiroshi Inagaki

1957: Aparajito (India) by Satyajit Ray

1956: Golden Lion of San Marco not assigned

1955: Ordet (Denmark) by Carl Theodor Dreyer

1954: Romeo and Juliet (UK) by Renato Castellani

1953: Golden Lion of San Marco not assigned

1952: Jeux interdits (France) by René Clément

1951: Rashô-mon (Japan) by Akira Kurosawa

1950: Justice est faite (France) by André Cayatte (Golden Lion of San Marco)

1949: Manon (France) by Henry-Georges Clouzot (Golden Lion of San Marco, Gran Premio Internazionale di Venezia)

1948: Hamlet (UK) by Laurence Olivier (Gran Premio Internazionale di Venezia)

1947: Sirena (Czechoslovakia) by Karel Stekly (Gran Premio Internazionale di Venezia)

1946: The Southerner (Usa) by Jean Renoir (Best film for  the press commission)

 

1942: Bengasi by Augusto Genina (Coppa Mussolini for the best Italian film); Der Grosse König (Germany) di Veit Harlan

1941: La corona di ferro by Alessandro Blasetti (Coppa Mussolini for the best Italian film); Ohm Krüger (Germany) by Hans Steinhoff (Coppa Mussolini for the best foreign film)

1940: L'assedio dell'Alcazar by Augusto Genina (Coppa Mussolini for the best Italian film); Der Postmeister (Germany) by Gustav Ucicky (Coppa Mussolini for the best foreign film)

1939: Abuna Messias by Goffredo Alessandrini (Coppa Mussolini for the best film)

1938: Luciano Serra pilota by Goffredo Alessandrini and Olympia (Germany) by Leni Riefenstahl (Coppa Mussolini for the best film joint winners)

1937: Scipione l'africano by Carmine Gallone (Coppa Mussolini for the best Italian film); Un carnet de bal (France) by Julien Duvivier (Award for the best foreign film)

1936: Squadrone bianco by Augusto Genina (Coppa Mussolini for the best Italian film); Der Kaiser von Kalifornien(Germania) by Luis Trenker (Award for the best foreign film)

1935: Casta Diva by Carmine Gallone (Coppa Mussolini for the best Italian film); Anna Karenina (Usa) by Clarence Brown (Award for the best foreign film)

1934: Teresa Confalonieri by Guido Brignone (Coppa Mussolini for the best Italian film); Man of Aran (UK) by Robert Flaherty (Award for the best foreign film)

2018
Coppa Volpi for Best Actor: WILLEM DAFOE in At Eternity’s Gate
Coppa Volpi for Best Actress: OLIVIA COLMAN in The Favourite

2017
Coppa Volpi for Best Actor: KAMEL EL BASHA in The Insult
Coppa Volpi for Best Actress: CHARLOTTE RAMPLING in Hannah

2016
Coppa Volpi for Best Actor: OSCAR MARTINEZ in El ciudadano ilustre
Coppa Volpi for Best Actress: EMMA STONE in La La Land

2015
Coppa Volpi for Best Actor: FABRICE LUCHINI in L’hermine
Coppa Volpi for Best Actress: VALERIA GOLINO in Per amor vostro

2014
Coppa Volpi for Best Actor: ADAM DRIVER in Hungry Hearts
Coppa Volpi for Best Actress: ALBA ROHRWACHER in Hungry Hearts

2013
Coppa Volpi for Best Actor: THEMIS PANOU in Miss Violence
Coppa Volpi for Best Actress: ELENA COTTA in Via Castellana Bandiera

2012
Coppa Volpi for Best Actor: PHILIP SEYMOUR HOFFMAN e JOAQUIN PHOENIX in The Master
Coppa Volpi for Best Actress: HADAS YARON in Lemale Et Ha'Chalal

2011
Coppa Volpi for Best Actor: MICHAEL FASSBENDER in Shame
Coppa Volpi for Best Actress: DEANIE YIP in Tao jie

2010
Coppa Volpi for Best Actor: VINCENT GALLO in Essential Killing
Coppa Volpi for Best Actress: ARIANE LABED in Attenberg

2009 
Coppa Volpi for Best Actor: COLIN FIRTH in A Single Man
Coppa Volpi for Best Actress: KSENIA RAPPOPORT in La doppia ora

2008
Coppa Volpi for Best Actor: SILVIO ORLANDO in Il papà di Giovanna
Coppa Volpi for Best Actress: DOMINIQUE BLANC in L’autre

2007
Coppa Volpi for Best Actor: BRAD PITT in The Assassination of Jesse James by the Coward Robert Ford
Coppa Volpi for Best Actress: CATE BLANCHETT in I'm Not There

2006
Coppa Volpi for Best Actor: BEN AFFLECK in Hollywoodland
Coppa Volpi for Best Actress: HELEN MIRREN in The Queen

2005
Coppa Volpi for Best Actor: DAVID STRATHAIRN in Good Night, and Good Luck
Coppa Volpi for Best Actress: GIOVANNA MEZZOGIORNO in La bestia nel cuore

2004
Coppa Volpi for Best Actor: JAVIER BARDEM in Mar adentro
Coppa Volpi for Best Actress: IMELDA STAUNTON in Vera Drake

2003
Coppa Volpi for Best Actor: SEAN PENN in 21 Grams
Coppa Volpi for Best Actress: KATJA RIEMANN in Rosenstrasse

2002
Coppa Volpi for Best Actor: STEFANO ACCORSI in Un viaggio chiamato amore
Coppa Volpi for Best Actress: JULIANNE MOORE in Far From Heaven

2001
Coppa Volpi for Best Actor: LUIGI LO CASCIO in Luce dei miei occhi
Coppa Volpi for Best Actress: SANDRA CECCARELLI in Luce dei miei occhi

2000
Coppa Volpi for Best Actor: JAVIER BARDEM in Before Night Falls
Coppa Volpi for Best Actress: ROSE BYRNE in The Goddess of 1967

1999
Coppa Volpi for Best Actor: JIM BROADBENT in Topsy Turvy
Coppa Volpi for Best Actress: NATHALIE BAYE in Une liaison pornographique

1998
Coppa Volpi for Best Actor: SEAN PENN in Hurlyburly
Coppa Volpi for Best Actress: CATHERINE DENEUVE in Place Vendôme

1997
Coppa Volpi al miglior attore: WESLEY SNIPES in One Night Stand
Coppa Volpi for Best Actress: ROBIN TUNNEY in Niagara Niagara

1996
Coppa Volpi for Best Actor: LIAM NEESON in Michael Collins
Coppa Volpi for Best Actress: VICTOIRE THIVISOL in Ponette
Coppa Volpi for best supporting actor: CHRIS PENN in The Funeral

1995
Coppa Volpi for Best Actor: GEORGE GOETZ in Der Totmacher
Coppa Volpi for Best Actress: ex aequo a SANDRINE BONNAIRE e ISABELLE HUPPERT in La cérémonie
Coppa Volpi for best supporting actress: ex aequo a ISABELLA FERRARI in Romanzo di un giovane povero e IAN HART in Nothing Personal

1994
Coppa Volpi for Best Actor: XIA YU in Yangguang Calan de Rizi
Coppa Volpi for Best Actress: MARIA DE MEDEIROS in Tres Irmaos
Coppa Volpi for best supporting actor: ROBERTO CITRAN in Il toro
Coppa Volpi for best supporting actress: VANESSA REDGRAVE in Little Odessa

1993
Coppa Volpi for Best Actor: FABRIZIO BENTIVOGLIO in Un’anima divisa in due
Coppa Volpi for Best Actress: JULIETTE BINOCHE in Trois Couleurs. Bleu
Coppa Volpi for best supporting actor: MARCELLO MASTOIANNI in Un, Deux, Trois, Soleil
Coppa Volpi for best supporting actress: ANNA BONAIUTO in Dove siete? Io sono qui
Coppa Volpi, special award: al complesso degli attori di Short Cuts

1992
Coppa Volpi for Best Actor: JACK LEMMON in Glengarry Glen Ross
Coppa Volpi for Best Actress: GONG LI in Qiu Ju da guan si

1991
Coppa Volpi for Best Actor: RIVER PHOENIX in My Own Private Idaho
Coppa Volpi for Best Actress: TILDA SWINTON in Edward II

1990
Coppa Volpi for Best Actor: OLEG BORISOV in Edinstvenijat Svidetel
Coppa Volpi for Best Actress: GLORIA MUNCHMEYER in La Luna en el Espejo

1989
Coppa Volpi for Best Actor: ex aequo a MASSIMO TROISI e MARCELLO MASTROIANNI in Che ora è?
Coppa Volpi for Best Actress: ex aequo a GERALDINE JAMES e Dame PEGGY ASHCROFT in She’s Been Away

1988
Coppa Volpi for Best Actor: ex aequo a DON AMECHE e JOE MANTEGNA in Things Change
Coppa Volpi for Best Actress: ex aequo a SHIRLEY Mac LAINE in Madame Sousatzka e ISABELLE HUPPERT in Une affaire de femmes

1980-1987 assegnazione dei premi di interpretazione omettendo la Coppa Volpi

 

1969-1979 abolizione di tutti i premi della Mostra

1968
Coppa Volpi for Best Actor: JOHN MARLEY in Faces
Coppa Volpi for Best Actress: LAURA BETTI in Teorema

1967
Coppa Volpi for Best Actor: LJUBISA SAMARDZIC in Alba
Coppa Volpi for Best Actress: SHIRLEY KNIGHT in Dutchman

1966
Coppa Volpi for Best Actor: JACQUES PERRIN in La Busca e Un uomo a metà
Coppa Volpi for Best Actress: NATALIA ARIMBASAROVA in Le premier Maître

 

1965
Coppa Volpi al miglior attore: TOSHIRO MIFUNE in Barbarossa
Coppa Volpi for Best Actress: ANNIE GIRARDOT in Trois chambres à Manhattan

1964
Coppa Volpi for Best Actor: TOM COURTENAY in For King and Country
Coppa Volpi for Best Actress: HARRIET ANDERSSON in Att älska

1963
Coppa Volpi for Best Actor: ALBERT FINNEY in Tom Jones
Coppa Volpi for Best Actress: DELPHINE SEYRIG in Muriel

1962
Coppa Volpi for Best Actor: BURT LANCASTER in Birdman of Alcatraz
Coppa Volpi for Best Actress: EMMANUELLE RIVA in Thérèse Desquéyroux

1961
Coppa Volpi for Best Actor: TOSHIRO MIFUNE in Yojimbo
Coppa Volpi for Best Actress: SUZANNE FLON in Tu ne tueras point

1960
Coppa Volpi for Best Actor: JOHN MILLS in Whisky and Glory
Coppa Volpi for Best Actress: SHIRLEY Mac LAINE in The Apartment

1959
Coppa Volpi for Best Actor: JAMES STEWART in Anatomy of a Murder
Coppa Volpi for Best Actress: MADELEINE ROBINSON in A Double Tour

1958
Coppa Volpi for Best Actor: ALEC GUINNESS in The Horse’s Mouth
Coppa Volpi for Best Actress: SOPHIA LOREN in The Black Orchid

1957
Coppa Volpi for Best Actor: ANTHONY FRANCIOSA in A Hatful of Rain
Coppa Volpi for Best Actress: ZIDRA RITENBERGA in Malva

1956
Coppa Volpi for Best Actor: BOURVIL in La traversée de Paris
Coppa Volpi for Best Actress: MARIA SCHELL in Gervaise

1955
Coppa Volpi for Best Actor: ex aequo a KENNETH MORE in The Deep Blue Sea e CURD JURGENS in Les héros son fatigués e Des Teufels General
Coppa Volpi for Best Actress: non attribuita

1954
Coppa Volpi for Best Actor: JEAN GABIN in Touchez pas au Grisbi e L’air de Paris
Coppa Volpi for Best Actress: non attribuita

1953
Coppa Volpi for Best Actor: HENRY VILBERT in Le bon dieu sans confession
Coppa Volpi for Best Actress: LILLI PALMER in The Four Poster Bed

 

1952
Coppa Volpi for Best Actor: FREDERIC MARCH in Death of a Salesman
Coppa Volpi for Best Actress: viene annunciato ufficialmente dalla Giuria ma non è assegnata a INGRID BERGMAN in Europa ’51 perché la sua voce è stata doppiata

1951
Coppa Volpi for Best Actor: JEAN GABIN in La nuit est mon royaume
Coppa Volpi for Best Actress: VIVIEN LEIGH in A Streetcar Named Desire

1950
Coppa Volpi for Best Actor: SAM JAFFE in Asphalt Jungle
Coppa Volpi for Best Actress: ELEANOR PARKER in Caged

1949
Coppa Volpi for Best Actor: JOSEPH COTTEN in Portait of Jennie
Coppa Volpi for Best Actress: OLIVIA DE HAVILLAND in The Snake Pit

1948
Coppa Volpi for Best Actor: ERNST DEUTSCH in Der Prozess
Coppa Volpi for Best Actress: JEAN SIMMONS in Hamlet

1947
Coppa Volpi for Best Actor: PIERRE FRESNAY in Monsieur Vincent
Coppa Volpi for Best Actress: ANNA MAGNANI in L’Onorevole Angelina

1946
non attribuita

1942
Coppa Volpi for Best Actor: FOSCO GIACHETTI in Bengazi
Coppa Volpi for Best Actress: KRISTINA SÖDERBAUM in Die Goldene Stadt

1941
Coppa Volpi for Best Actor: ERMETE ZACCONI in Don Buonaparte
Coppa Volpi for Best Actress: LUISE ULRICH in Annelie

1939 - 1940
non attribuita

1938
Coppa Volpi for Best Actor: LESLIE HOWARD in Pygmalion
Coppa Volpi for Best Actress: NORMA SHEARER in Marie Antoinette

1937
Coppa Volpi for Best Actor: EMIL JANNINGS in Der Herrscher
Coppa Volpi for Best Actress: BETTE DAVIS in Marked Woman

1936
Coppa Volpi for Best Actor: PAUL MUNI in The Story of Louis Pasteur
Coppa Volpi for Best Actress: ANNABELLA in Veille d’armes

1935
Coppa Volpi for Best Actor: PIERRE BLANCHAR in Crime et châtiment
Coppa Volpi for Best Actress: PAULA WESSELY in Episode

2018: Vanessa Redgrave, David Cronenberg

2017: Jane Fonda, Robert Redford

2016: Jean-Paul Belmondo, Jerzy Skolimowski

2015: Bertrand Tavernier

2014: Frederick Wiseman, Thelma Schoonmaker

2013: William Friedkin

2012: Francesco Rosi

2011: Marco Bellocchio

2010: John Woo

2009: John Lasseter and the Disney•Pixar directors

2008: Ermanno Olmi

2007: Tim Burton

2006: David Lynch

2005: Hayao Miyazaki, Stefania Sandrelli

2004: Manoel de Oliveira, Stanley Donen

2003: Dino De Laurentiis, Omar Sharif

2002: Dino Risi

2001: Eric Rohmer

2000: Clint Eastwood

1999: Jerry Lewis

1998: Warren Beatty, Sophia Loren, Andrzej Wajda

1997: Gérard Depardieu, Stanley Kubrick, Alida Valli

1996: Robert Altman, Vittorio Gassman, Dustin Hoffman, Michèle Morgan

1995: Woody Allen, Alain Resnais, Martin Scorsese, Giuseppe De Santis, Goffredo Lombardo, Ennio Morricone, Alberto Sordi, Monica Vitti

1994: Ken Loach, Suso Cecchi D’Amico, Al Pacino

1993: Claudia Cardinale, Roman Polanski, Robert De Niro, Steven Spielberg

1992: Francis Ford Coppola, Jeanne Moreau, Paolo Villaggio

1991: Mario Monicelli, Gian Maria Volontè

1990: Miklos Jancsó, Marcello Mastroianni

1989: Robert Bresson

1988: Joris Ivens

1987: Luigi Comencini, Joseph Leo Mankiewicz

1986: Paolo and Vittorio Taviani

1985: Federico Fellini; Special Golden Lion to Manoel De Oliveira and John Huston

1983: Michelangelo Antonioni

1982: Alessandro Blasetti, Frank Capra, George Cukor, Jean-Luc Godard, Sergej Yutkevic, Alexander Kluge, Akira Kurosawa, Michael Powell, Satyajit Ray, King Vidor, Cesare Zavattini, Luis Buñuel

1972: Charlie Chaplin, Anatoli Golovnia, Billy Wilder

1971: John Ford, Marcel Carné, Ingmar Bergman

1970: Tribute for his overall work to Orson Welles

1969: Tribute for his overall work to Luis Buñuel