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La Biennale di Venezia

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Atlas Ensemble



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Joël Bons (1952) Nomaden for cello and large intercultural ensemble (2015-16, 61’)
Italian premiere

shakuhachi, flute, piccolo Harrie Starreveld
oboe, cor anglais Ernest Rombout
clarinet, bass clarinet Anna voor de Wind
duduk, alto recorder Raphaela Danksagmüller
sho Naomi Sato
sheng Zhang Meng
percussion I Laurent Warnier
percussion II Gorka Catediano
frame drum Modar Salama
ud Yasamin Shashosseini
tar Elcin Nagijev
erhu Zhao Yuanchun
kamancha Elshan Mansurov
violin Emi Ohi Resnick
kemençe Neva Özgen
viola Frank Brakkee
sarangi Yuji Nakagawa
double bass Dario Calderone

cello Jean-Guihen Queyras
conductor Ed Spanjaard

in collaboration with Teatro Stabile del Veneto

Description

There are interconnections between instruments that are distant in time and space but come together to reinvent music, as in Nomaden, the work of Dutch composer currently living in Amsterdam Joël Bons, who won the Grawemeyer Music Award, the Nobel prize of music, in 2019. Composed for the great cellist Jean-Guihen Queyras and the Atlas Ensemble, which gathers 18 musicians from China, Japan, the Middle East, Central Asia and Europe, Nomaden incorporates a wide range of instruments –from the Azerbaijani kamancha and tar, the Chinese sheng, the Japanese sho and the Turkish kemençe– and their palette of timbres, unfamiliar to most. For Bons, who conceives art as an intercultural creation, this work represents the end of a 14-year journey exploring these possibilities with the Atlas Ensemble, which he founded.

Teatro Goldoni

San Marco, 4650/B
30124 Venezia
Tel. 041 8686130

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Biennale Musica
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