Liminis represents a critical intersection between computational morphogenesis and traditional tectonic assemblage manifesting through 3D-printed ceramic bricks. Drawing on Christopher Alexander’s theories of living architecture, it challenges contemporary building practices by demonstrating how algorithmic processes combined with traditional craft can generate deeply resonant spaces. Rather than merely imitating nature, Liminis establishes a new dialogue between digital fabrication and traditional craft techniques. The result is both a practical demonstration and theoretical proposition for how architecture might bridge the gap between emergent form-making and human-centred design, all while maintaining a vital connection to organic patterns and forms in the built environment.
