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Fondazione Bvlgari presents in Biblioteca Nazionale Marciana


  • Sale Monumentali of the Biblioteca nazionale Marciana
    TUE - THU
    ​09/05 > 07/06
    10 AM – 6 PM (last admission at 5 PM)

    MON - TUE + THU - FRI
    08/06 > 18/10
    10 AM – 6 PM (last admission at 5 PM)

    THU - TUE
    19/10 > 22/11
    till 31/10: 10 AM – 6 PM (last admission at 5 PM)
    from 01/11: 10 AM – 5 PM (last admission at 4 PM)


    MUSEO ARCHEOLOGICO + MUSEO CORRER
    WED
    ​09/05 > 07/06

    WED + SAT - SUN
    08/06 > 18/10

    WED
    19/10 > 22/11

Curator Fondazione Bvlgari
Exhibitors Lara Favaretto, Monia Ben Hamouda 

Entrance 
1. Sale Monumentali of the Biblioteca Nazionale Marciana (Piazza San Marco 13/A): 9/05 > 22/11 (free)
2. Museo Archeologico + Museo Correr: 9/05 > 22/11 (ticket) 

https://cultura.gov.it/evento/fondazione-bvlgari-promuove-la-mostra-di-lara-favaretto-e-monia-ben-hamouda-alla-biblioteca-nazionale-marciana-per-biennale-arte-2026

https://www.bulgari.com/it-it/stories/biennale?srsltid=AfmBOoqxB5-B2bhrq0SxD4uGav962Dtp_sYqsF6hE7twBOb7IXvOzMh8

description

The Sale Monumentali of the Biblioteca Nazionale Marciana host the first exhibition curated by Fondazione Bvlgari, bringing together works by Monia Ben Hamouda and Lara Favaretto, while highlighting their individual artistic voices.

Founded in 1468 through the donation of Cardinale Bessarione and designed by Sansovino, the Marciana embodies an idea of knowledge as a living organism, subject to transformation. Within this context, the two artists present site-specific interventions that question the library’s heritage, turning the space into a dynamic field between memory and knowledge.

Placed in the Vestibule, Ben Hamouda’s Fragments of Fire Worship consists of two neon sculptures evoking a fragmented, unreadable form of writing. The luminous signs refer to a language that has lost its communicative function and has become gesture and trace, proposing knowledge as a state of metamorphosis.

In the Salone Sansovino, Favaretto presents the seventh edition of Momentary Monument – The Library. A monolithic bookshelf houses volumes donated by national institutions, each containing a specific image from the artist’s archive, which visitors are invited to take away, becoming custodians themselves. In contrast to the logic of preservation, the work introduces a poetics of instability, in which the monument is destined to disappear.


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Biennale Arte
Biennale Arte