fbpx Biennale Teatro 2026 | Mario Banushi - Chapter 2: Goodbye, Lindita
La Biennale di Venezia

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Mario Banushi - Chapter 2: Goodbye, Lindita

Year and length:2023, 65’
Concept and direction:Mario Banushi
With:Mario Banushi, Babis Galiatsatos, Heleni Habia Nzanga, Alexandra Hasani, Erifyli Kitzoglou, Katerina Kristo, Rita Litou
Music composition and sound design:Emmanouel Rovithis
Set and costume design:Sotiris Melanos
Light design:Tasos Palaioroutas
Associate dramaturgs:Aspasia-Maria Alexiou, Sofia Eftychiadou
Assistant directors:Afroditi Kapokaki, Theodora Patiti
Photography:Theofilos Tsimas
Video:Nikos Pastras
Technical coordinator:Giannis Kougias
Tour lighting designer:Marietta Pavlaki
Sound engineering and audio spatialisation design:Dimos Livitsanos
Stage manager:Efi Christodoulopoulou
Props master:Michail Adamis
Executive production:TooFarEast
International relations and tour management:Nikos Mavrakis – TooFarEast
Production management and line production:Ioanna Papakosta – TooFarEast
Coproduction:La Biennale di Venezia and Fondation pour l'art contemporain
Extra info:Goodbye, Lindita was commissioned and produced by the National Theatre of Greece for its 2022-2023 season and premiered on 29 March 2023 at the Experimental Stage – Emerging Artists (Rex Theatre – Katina Paxinou Stage)
Teatro alle Tese Details
Teatro alle Tese Details

Description

The second chapter of Romance Familiare by Mario Banushi, Goodbye, Lindita expresses an ineffable sense of loss and nostalgia through another maternal figure—this time an acquired one: Lindita, the father’s second wife. Drawing on memories of the Balkan funeral rites of his childhood, the performance silently explores an inescapable human experience.

In a domestic interior, a family mourns in silence, until events of an almost otherworldly nature open a window onto a world in which memory is intertwined with fantasy and reality with dreams. The audience becomes witness witness to an inner journey that attempts to answer the eternal question of how to say farewell to those we love most.

“The home is not a harbour, it is not where you arrive or return to; that home is where it hurts. And where you learn how to heal” (Dimitris Papanikolaou).


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Biennale Teatro
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