| 13: | 2023, 30’ (European premiere) |
|---|---|
| Choreography: | Tao Ye |
| Music composition: | Xiao He |
| Lighting design: | Ma Yue, Tao Ye |
| Costume design: | Duan Ni |
| Costume tailoring: | DNTY |
| Dancers: | Huang Qiqi, Yan Yulin, Xu Fujin, Tong Yusheng, Li Siyu, Liu Yiren, Sun Leirui, Wu Zhenkai, Li Jiayu, Cheng Leting, Wan Lu, Lu Wenchao, Xing Jinhang |
| Artistic direction: | Tao Ye, Duan Ni |
| Company management: | Wang Hao |
| Rehearsal direction: | Huang Qiqi |
| Technical direction: | Ma Yue |
| Production and project direction: | Jun Jun |
| Executive coordination: | Tai Yuanxu |
| Visual direction: | Fan Xi |
| DNTY managing direction: | Ning He |
| Tour coordination: | Jun Jun, Tai Yuanxu |
| In collaboration with: | Fondazione Teatro La Fenice |
| : | |
| 14: | 2023, 30’ (European premiere) |
| Choreography and sound concept: | Tao Ye |
| Lighting design: | Ma Yue, Tao Ye |
| Costume design: | Duan Ni |
| Dancers: | Huang Qiqi, Yan Yulin, Xu Fujin, Tong Yusheng, Li Siyu, Liu Yiren, Sun Leirui, Wu Zhenkai, Li Jiayu, Cheng Leting, Wan Lu, Lu Wenchao, Liu Liyuan, Zhang Zhuoyao |
| Artistic direction: | Tao Ye, Duan Ni |
| Company management: | Wang Hao |
| Rehearsal direction: | Huang Qiqi |
| Technical direction: | Ma Yue |
| Production and project direction: | Jun Jun |
| Executive coordination: | Tai Yuanxu |
| VIsual direction: | Fan Xi |
| DNTY managing direction: | Ning He |
| Tour coordination: | Jun Jun, Tai Yuanxu |
| In collaboration with: | Fondazione Teatro La Fenice |
Dance
TAO Dance Theater - 13 & 14
Description
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Winners of the 2023 Silver Lion, the TAO Dance Theater is a Chinese dance company based in Beijing. Founded in 2008 by the choreographers Tao Ye, Duan Ni and by the producer Wang Hao, the company has an innovative approach to movement, a body technique known as “Circular Movement System”. At its roots is the idea of pure dance, achieved through the “ritualistic repetition of the body’s natural movements”, invoking the spectators’ capacity to concentrate on the essential nature of the repeated gesture, devoid of any ornament. Invited onto the most important stages of the world, from the Lincoln Center Art Festival of New York to Sadler’s Wells Theatre in London, as well as the Sydney Opera House and the Théâtre de la Ville in Paris, in Venice the TAO Dance Theatre presents 11, 13 and 14, three works from the Series of Numbers, a choreographic series begun in 2008 which, with its minimalist aesthetic, further codified Tao Ye and Duan Ni’s method, achieving an exasperated repetition that seeks truth in the body.
13 and 14 explore different themes, in their European premiere performance, respectively involving 13 and 14 dancers on stage following the habitual pattern of the series. 13 develops along a three-part scheme, exploring three different ways that bodies relate: in the solo, the duet, the ensemble. Starting from the unity of the ensemble, the choreographer progressively fragments the dancers into different formations between ralenti and sudden accelerations, reflecting the “complexity of the physical world, where one is continuously colliding, coming together and apart, falling and bouncing back” within a choreographic form that is both rigorous and open.
A study of rhythm, 14 relies on rapid changes of movement that bring out the full range of possibilities between stasis and movement. As the result of a complex dynamism, 14 takes the vocabulary of the “Circular Movement System” to the extreme: Points, lines and planes that intersect in space bring the work back to pure movement, deploying the full range of possibilities”.