| Year / Length: | 2021, 82' (European premiere) | 
|---|---|
| Concept: | Dalisa Pigram and Rachael Swain with Patrick Dodson | 
| Choreography: | Dalisa Pigram with the performers | 
| Direction: | Rachael Swain | 
| Performance dramaturgy: | Hildegard de Vuyst | 
| Cultural dramaturgy: | Behrouz Boochani, Patrick Dodson, Omid Tofighian | 
| Music: | Sam Serruys, Paul Charlier, Rhyan Clapham (aka DOBBY) | 
| Sound design: | Sam Serruys & Paul Charlier | 
| Set design: | Abdul-Rahman Abdullah | 
| Costume design: | Andrew Treloar | 
| Lighting design: | Damien Cooper | 
| Co-choreography and performance: | Czack (Ses) Bero, Emmanuel James Brown, Chandler Connell, Luke Currie-Richardson, Issa el Assaad, Macon Riley, Bhenji Ra, Feras Shaheen, Miranda Wheen | 
| Co-choreography and performance (2018 – January 2022): | Zachary Lopez | 
| Production manager and lighting operator: | Aiden Brennan | 
| Co-choreography and performance in initial development: | Eric Avery & Yilin Kong | 
| Audio technician: | Raine Paul | 
| Company manager: | Denise Wilson | 
| Producer and tour manager: | Natalie Smith | 
| Additional music: | Far from Home, composed by : Farhad Bandesh & Anna Liebzeit, recorded vocals sung in Kurdish : Farhad Bandesh, The Ha Dub Rewerk’d, composed and performed by MikeQ, Jalangurru Wiyi, live vocals sung in Bunuba : Emmanuel James Brown | 
| Additional instrumental recordings: | Natasha Rumiz (viola) | 
| Additional choreography: | Krump Army: Stacy Peke aka Red Ladybrui5er | 
| Marrugeku patron: | Senator the Hon Patrick Dodson | 
| Marrugeku Board: | Debra Pigram (Chair), Matthew Fargher (Secretary), Tegan Gasior (Treasurer), Nancia Guivarra, David Malacari, Ninielia Mills, Dalisa Pigram & Rachael Swain | 
| Marrugeku Staffartistic co-directors: | Dalisa Pigram & Rachael Swain | 
| General manager: | Guy Boyce | 
| Producer and operations manager: | Natalie Smith | 
| Strategy & sales: | Justin Macdonnell | 
| Commissioned by: | Carriageworks, International Summer Festival Kampnagel, Hamburg with Körber-Stiftung and the City of Melbourne through Arts House | 
| Cultural and content warning: | Jurrungu Ngan-ga contains depictions of violence, racial abuse and police/border security brutality as well as references to self-harm. This performance contains the names of people who have passed away. The performance also contains partial nudity and low-level strobe light, and is recommended for ages 15+. | 
| Note: | The perfomance of the 30.07 will be followed by a conversation with the choreographers | 
                              Dance
              
                          
                          Marrugeku - Jurrungu Ngan-ga / straight talk
