fbpx Biennale Cinema 2026 | La ilusión viaja en tranvía (Illusion travels by streetcar)
La Biennale di Venezia

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Cinema

La ilusión viaja en tranvía (Illusion travels by streetcar)

Venice Classics
Director:
Luis Buñuel
Production:
Clasa Films Mundiales
Running Time:
83’
Language:
Spanish
Country:
Mexico
Year:
1954
Main Cast:
Lilia Prado, Carlos Navarro, Fernando Soto “Mantequilla”, Agustín Isunza, Miguel Manzano, Guillermo Bravo Sosa, José Pidal, Javier De La Parra, Paz Villegas, Diana Ochoa, Victor Alcocer
Screenplay:
Jose Revueltas, Mauricio De La Serna, Luis Alcoriza, Juan De La Cabada, Luis Buñuel
Cinematographer:
Raúl Martínez Solares
Editor:
Jorge Bustos
Production Designer:
Edward Fitzgerald
Music:
Luis Hernandez Breton
Sound:
José de Pérez, Rafael Ruiz Esparza
Restoration:
Museo Nazionale del Cinema di Torino (Carlo Chatrian, Stefano Boni, Gabriele Angelo Perrone) in collaborazione con Fundación Televisa e Cineteca Nacional México
Laboratories:Laboratorio di restauro digitale del Museo Nazionale del Cinema di Torino, Laboratorio de restauración Digital Elena Sánchez Valenzuela de la Cineteca Nacional México

Program Cinema 2026 (Public)

Sala Corinto More
Astra 1 More

Program Cinema 2026 (Pass holders)

Sala Corinto More
Sala Pasinetti More
Astra 1 More

synopsis

Juan Godinez “Caireles” and Tobías Hernández “Tarrajas” use enviable expertise to repair an old, obsolete tram only to discover that it is scheduled to be replaced with a new model. The two fear they will suffer the same fate.
Disappointed, frightened, and a little confused, they decide to give the tram one last spin through the streets of Mexico City.

Director’s Statement

I believe the initial plot was sketched out by Mauricio de la Serna and José Revueltas, while Luis Alcoriza and I collaborated on the writing. The plot spanned a few pages: a tram disappears, various adventures follow, and finally the tram reappears in the depot.
You know that on public transportation in Mexico, it’s possible – or at least it was possible back then – to find people carrying crates of fruit or live turkeys, in short: the most incredible things, and that’s why it occurred to me that the tram would be ridden by workers from the Rastro (the slaughterhouse) carrying quarters of beef, and by devout old women carrying the image of a saint.
(Tomás Pérez Turrent and José de la Colina, Buñuel por Buñuel, Madrid, Plot Ediciones, 1993, p. 88).

production/distribution

PRODUCTION:
Museo Nazionale del Cinema di Torino - Carlo Chatrian, Stefano Boni, Gabriele Angelo Perrone,
Via Montebello, 20
10124 Torino, Italy
Tel: +39 011 8138 580
E-mail: perrone@museocinema.it
Web: https://www.museocinema.it/
Social Media: @museocinema – Instagram, Museo Nazionale del Cinema di Torino – Facebook, Museo Nazionale del Cinema – Youtube, Museo Nazionale del Cinema di Torino – Linkedin, @museocinema – Tiktok, Cineteca MNC – Vimeo

PRODUCTION AT THE TIME OF FILMING: 
​Clasa Films Mundiales

LAB:
Laboratorio restauro Museo Nazionale del Cinema Cineteca Nacional Mexico

WORLD SALES:
TelevisaUnivision - Olivares Belderrain Ricardo Abdi
Avenida Vasco de Quiroga No. 2000, Col. Santa Fe, Alcaldía Álvaro Obregón
01210 Città del Messico, Mexico
E-mail: raolivaresbel@televisaunivision.com

ITALIAN DISTRIBUTION:
Museo Nazionale del Cinema di Torino - Perrone Gabriele Angelo
Via Montebello, 20
10124 Torino, Italy
E-mail: perrone@museocinema.it
Web: https://www.museocinema.it/
Social Media: @museocinema – Instagram, Museo Nazionale del Cinema di Torino – Facebook, Museo Nazionale del Cinema – Youtube, Museo Nazionale del Cinema di Torino – Linkedin, museocinema – Tiktok, Cineteca MNC – Vimeo

PRESS OFFICE:
Veronica Geraci - Museo Nazionale del Cinema di Torino
Tel: +39 011 8138509 / +39 335 1341195
E-mail: geraci@museocinema.it


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Biennale Cinema
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