|World premiere:||2020, 90’|
|With:||Alice Torriani and Elisabetta Valgoi|
|Drama consultancy:||Letizia Russo|
|Set design:||Annelisa Zaccheria|
|Interaction design:||Andrea Spontoni|
|Sound technician:||Paolo Cillerai|
|Scenery assistant:||Olimpia Russo|
|Assistant director:||Paolo Costantini|
|In collaboration with:||Teatro Stabile dell’Umbria|
|Artistic residency at:||Spazio Zut! di Foligno|
Franco Visioli - Ultima latet
The project is entrusted to two women who meet and you never know where two women meeting for the ﬁrst time will go. Perhaps they lead into the project itself, a project which two women foresee. Two actresses, certainly, far off and nearby, alike but alike is too much. I’m not saying that the two actresses are alike. They aren’t. I’m speaking of the characters, characters who shouldn’t be alike. That is, I’m not saying that they shouldn’t be alike, I’m saying that they shouldn’t be characters, they should lose their being characters nature.
Remain outside it, keep away, avoid any reference to the primary means by which characters are made as far as possible, namely acting. How can they be kept clean? Perhaps via an extra degree of awareness, something which unites them, whatever the relationship between them. A relationship which may be good or otherwise. Something which goes beyond and brings you close, holds you close. Locks you in like a 12 mm wing nut. Like a disease perhaps?