| Length / Year: | 125', 2020 |
|---|---|
| Concept and direction: | Gabriela Carrizo and Franck Chartier |
| Performers: | Fons Dhossche, Lauren Langlois, Panos Malactos, Alejandro Moya, Fanny Sage, Eliana Stragapede, Roger Van der Poel, Wan-Lun Yu |
| Artistic assistance: | Thomas Michaux |
| Sound composition and arrangements: | Raphaëlle Latini, Ismaël Colombani, Annalena Fröhlich, Louis-Clément Da Costa, Eurudike De Beul |
| Lighting design: | Tom Visser |
| Set design: | Gabriela Carrizo, Justine Bougerol |
| Costumes: | Seoljin Kim, Yichun Liu, Louis-Clément Da Costa |
| Production: | Peeping Tom |
| Technical coordination: | Giuliana Rienzi |
| Technical engineers: | Bram Geldhof, Ilias Johri (Lighting), Tim Thielemans/Jonas Castelijns (Sound) |
| Stage management: | Thomas Dobruszkes (Stage Manager), Clement Michaux, Kato Stevens (Stage Assistants) |
| Production interns: | Lisa Gunstone, Robin Appels, Tour Manager, Amaury Vanderborght, Production Manager, Helena Casas |
| Communication manager: | Sébastien Parizel |
| Company manager: | Veerle Mans |
| Based upon: | Adrift |
| Created with the dancers of: | NDT I: Chloe Albaret, Lydia Bustinduy, César Faria Fernandes, Fernando Hernando Magadan/Spencer Dickhaus, Anna Hermann, Anne Jung, Marne Van Opstal, Roger van der Poel, Meng-ke Wu, Ema Yuasa/Rena Narumi, |
| With artistic assistance by : | Louis-Clément Da Costa, Seoljin Kim e / and Yi-Chun Liu |
| Produced by: | Peeping Tom |
| Co-production: | Opéra National de Paris, Opéra de Lille, Tanz Köln, Göteborg Dance and Theatre Festival, Théâtre National Wallonie-Bruxelles, deSingel Antwerp, GREC Festival de Barcelona, Festival Aperto / Fondazione I Teatri (Reggio Emilia), Torinodanza Festival / Teatro Stabile di Torino – Teatro Nazionale (Torino / Turin), Dampfzentrale Bern, Oriente Occidente Dance Festival (Rovereto) |
| With support from: | Flemish authorities |
| Distribution: | Frans Brood Productions |
| Note: | TRIPTYCH: The missing door, The lost room and The hidden floor was created with the support of the Tax Shelter of the Belgian Federal Government |
| Note: | Contains scenes of nudity. Recommended for ages 12 and above. Stroboscopic lights will be used during the performance |
Theatre
Peeping Tom - Triptych
Description
As the lights come on, the audience is plunged into a man’s mind: his life is passing before him like a film – or maybe it is the film of lives other than his, some past, others still to come. And so, in the cabins and hallways of an ocean liner, begins the labyrinthine voyage that is Triptych. In this trilogy, time, memory, and premonition revolve around the illusions, utopias, and lost loves of blinded characters who act out their own fiction. Uncontrollable forces set them adrift at each stage of their search.
In Triptych, the characters, lost in time and space, are continually drifting away and searching for one another. When they embarked on this voyage in pursuit of an ideal they were full of hope, but reality led them towards an uncertain destiny. They try to find a path through the wanderings of their thoughts while reviving and reliving their memories – or creating new versions of them, open to distortions.
Triptych thus reveals a melancholy nostalgia for the future.