Director: | Wayne McGregor |
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Production: | Studio Wayne McGregor (Rebecca Marshall, Svet Lapcheva), Tobias Tang |
Running Time: | 57’ |
Language: | no dialogue |
Country: | UK, Hong Kong, Italy |
Costume Designer: | Ilaria Martello, Hannah Martin |
Sound: | Invisible Mountain (Powered by Bronze), Grégory Vincent |
Choreographer: | Wayne McGregor |
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nVis 360 3D embodied visualization concepts and technologies, technologies research and development: | Jeffrey Shaw (Hong Kong Baptist University), Sarah Kenderdine (Hong Kong Baptist University) |
Developers and designers: | Ravi Deepres, Theresa Baumgartner, Jeffrey Shaw, Luke Unsworth, Paul Bourke, J.Him, Paul Nichola, Chris Parks, Carlos Serrano, Chris Stephens, Nice Monster |
nVis 360 3D technologies Research and Development, Hong Kong Baptist University developer: | Jeffrey Shaw, Sarah Kenderdine, Vack Cheung, Davor Vincze, Ching Lee, Charisse So, Sum Wong, Alejandro Rodriguez, Paul Bethge, Leoson Cheong, Marlen Runz, Joseph Chan, Jeff Zhang, Victor Wong, Eman Tse |
Performed by: | Company Wayne McGregor (Rebecca Bassett-Graham, Naia Bautista, Kevin Beyer, Julia Costa, Salvatore De Simone, Chia-Yu Hsu, Jayla Jacobs, Hannah Joseph, Jasiah Marshall, Salomé Pressac and Mariano Zamora Gonzalez; Rehearsal Director: Odette Hughes); Hong Kong Ballet (Luis Cabrera, Jeremy Chan, Albert Gordon, Vanessa Lai Nok Sze, Nana Sakai, Gouta Seki, Sun Jia, Wang Qingxin; Artistic Director: Septime Webre; Rehearsal Director: Yuh Egami) |
Jewellery design: | Ilaria Martello, Hannah Martin |
Co-produced by: | Hong Kong Baptist University Hong Kong Ballet; Studio Wayne McGregor – London |
Co-commissioned by: | La Biennale di Venezia, Somerset House – London, Tai Kwun – Centre for Heritage and Arts – Hong Kong |
Supported by: | Innovation and Technology Commission – Hong Kong, City University of Hong Kong, EPFL – Switzerland, Hong Kong Baptist University Visualization Research Centre, Arts Council England, Bloomberg, Abderrahim Crickmay Charitable Settlement – UK, The Space – UK. With additional support from Hong Kong Economic and Trade Office in Brussels |
Thank you to: | Marian Gaultney, Birmingham City University, Hong Kong Baptist University Motion Capture and Visualization Laboratory, The Peninsula Hotels – The Peninsula Hong Kong, Hong Kong Design Institute, The Roundhouse – London |