| Year / Length: | 2022, 80' ca. (World premiere) |
|---|---|
| Dancer: | Rocío Molina |
| Singer: | “Niño de Elche” |
| Piano/electronic music: | Pepe Benítez |
| Violinist: | Maureen Choi |
| Soprano: | Olalla Alemán |
| Choir: | Cantori Veneziani & proyectoeLe |
| Original idea and choreography: | Rocío Molina |
| Scenic direction: | Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
| Musical direction: | “Niño de Elche” with the collaboration of Rocío Molina and Juan Kruz Díaz de Garaio Esnaola |
| Musical composition: | Pepe Benítez (Cumbia & Exhorcism) |
| Costume design: | Leandro Cano |
| Stage space design: | Juan Kruz Díaz de Garaio Esnaola |
| Collaborator in costume design and space design: | Julia Valencia |
| Lighting design: | Carlos Marquerie |
| Choir musical director: | Carlos Cansino |
| Sound design: | Javier Álvarez |
| Text: | Enrique Fuenteblanca |
| Photographer: | Simone Fratini |
| Technical direction: | Carmen Mori |
| Graphic design: | Julia Valencia |
| Lighting technician: | David Benito |
| Stage management: | María Agar Martínez |
| Shibari artists: | Simone Fratini & GlüWür |
| Costume making: | Gloria Trenado (Pepe Benítez y Olalla Alemán) |
| Wicker handcraft: | José Luis Encijo |
| Executive management: | El Mandaito Producciones S.L. |
| Production: | Danza Molina |
| Coproduction: | La Biennale di Venezia; Bienal de Flamenco de Sevilla; Grec 2023 Festival de Barcelona; Teatro Español |
| With the support of: | Instituto Nacional de las Artes Escénicas y de la Música |
Dance
Rocío Molina - Carnación
Description
This performance is an open itinerary, a search around desire which starts from the intuition that its origin can only be found in illo tempore. An inquiry about the body and its capacity to build images of a past that we fail to understand takes place. Thus we witness the construction of a particular mythology where desire embodies the psychic flux that goes through the different stages between the human and the sacred, the spiritual and the animal, the “materialistic poison” which constrains us and the sacrifice in the form of descent and ascent, of the axis mundi through which it enacts its liberation.