Conversation with choreographer John Neumeier, who rewrote the history of contemporary ballet together with Jiří Kylián and William Forsythe.

This work weaves together dance, video and text in a moving reflection on the so-called “comfort women” during the Second World War.

This work reflects about the intersection between human bodies and digital technologies.

Onstage are Cassandra Trenary and Stravinsky’s The Rite of Spring, and Molissa Fenley herself in Bardo, the solo she conceived for Keith Haring to mark the tenth anniversary of his death.

This work consists of two chapters, Death in Venice and Bridge of Sighs, conceived by WINN Dance Company, an ensemble of dancers over the age of 40.