fbpx Biennale Teatro 2019 | quotidianacom - L’anarchico non è fotogenico
La Biennale di Venezia

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quotidianacom - L’anarchico non è fotogenico

(2014, 55’)

chapter one of the trilogy Tutto è bene quel che finisce

by and with Roberto Scappin and Paola Vannoni
production quotidianacom, Kronoteatro
with the support of Provincia di Rimini, Regione Emilia Romagna
in collaboration with La Corte Ospitale/progetto residenziale, Armunia/Festival Inequilibrio


Not suitable for a young audience.


Paola Vannoni and Roberto Scappin, known as quotidianacom, work on language, making the dialogical mechanism, synthetically indicated as Q/A, a stylistic signature, with dazzling quips and surreal sketches tinged with curaro, or incongruous to the limits of the absurd. In Venice, they present segments of their artistic biography with L’anarchico non è fotogenico, Sembra ma non soffro and the new Il racconto delle cose mai accadute.

“The action unfolds in three chapters which develop from the central core of Tutto è bene quel che finisce. The principle of a “good death”, linked to the concept of end or acceleration of a certain end, intertwines with a need to tackle the issue of denied euthanasia, referred not only to the medical field but also to politics, bio-politics and culture”. (quotidianacom)

Sale d’Armi

30122 VENICE
TEL. +39 0415218711

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