fbpx Biennale Cinema 2022 | The Man Who Couldn’t Leave
La Biennale di Venezia

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Cinema

The Man Who Couldn’t Leave

Venice Immersive
Director:
Chen Singing
Production:
The Walkers Films, Outland Film Production
Running Time:
35’
Language:
Taiwanese, Mandarin
Country:
Taipei
Screenplay:
Lin Hsin-l, Singing Chen, Lou Yi-An
Cinematographer:
Liao Ching-Yao, William Cho
Editor:
Yen Ping-Ying, Liu Wei-Yi
Music:
Yujun Wang
Sound:
Chou Cheng
Art directors:Huang Mei-Ching, Tu Shuo-Feng
Lead developer:Chuan Ming-Yuan
Developers:Yeh Ming-Yang, Chen Yi-Xuan, Didi Chen, Sven Hung
Designers:Yang Ching-Ya, Wang Shu-Feng, Vovi Huang, Huang Ke Xin
Artists:Li Kang, Lin Hang-Ping, Hsieh Yi-Fang

Synopsis

Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.
The Man Who Couldn’t Leave integrates the stories of numerous political victims of the White Terror and told through the form of an undelivered family letter. An immersive VR experience of hope, fear and camaraderie.

Director’s Statement

The background to The Man Who Couldn’t Leave derives from documents recounting the experiences of political dissidents imprisoned on Green Island during the White Terror of the 1950s in Taiwan. It is narrated from the perspective of four symbolic characters: A-Kuen, who recalls with regret his friend A-Ching—the man who couldn’t leave. There is also A-Ching’s wife, who held the secret of her husband’s incarceration for many years, and A-Ching’s daughter, who now inherits that story and is determined to keep it alive.
It also lets its audience feel the suffering and hopes of these people and conveys their desires for a better society; hopes that transcend history as universal values pursued by identity groups and new generations. In the end, it is only if stories are constantly told and the ideals and sacrifices of earlier generations are remembered, can the dead souls rest in peace and the spirit of an ideal society can be continued from generation to generation.

Trailer

PRODUCTION/DISTRIBUTION

PRODUCTION 1: The Walkers Films
3F, No.5, Lane 75, Tien-yu st.
111 – Taipei
Tel. +886 916481761
thewalkersfilms@gmail.com

PRODUCTION 2: Shih-Ken Lin – Outland Film Production
7F.-2, No. 3, Ln. 157, Yanping S. Rd., Zhongzheng Dist.
100 – Taipei
Tel. +886 983959190
outlandfilms@gmail.com
http://www.outlandfilm.com.tw/
Facebook: https://www.facebook.com/outlandfilmproduction/ 

WORLD SALES: Poshan Wu
themanvr1950@gmail.com


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Biennale Cinema
Biennale Cinema