fbpx Biennale Cinema 2023 | Hollywoodgate
La Biennale di Venezia

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Cinema

Hollywoodgate

Out of Competition
Director:
Ibrahim Nash’at
Production:
Rolling Narratives, Jouzour Film Production, Cottage M, RaeFilm Studios
Running Time:
92’
Language:
Pashto, Dari, English
Country:
Germany, USA
Screenplay:
Ibrahim Nash’at, Talal Derki, Shane Boris
Cinematographer:
Ibrahim Nash’at
Editor:
Atanas Georgiev, Marion Tuor
Music:
Volker Bertelmann
Sound:
Frank Kruse

Synopsis

The day after the US withdrawal from Afghanistan, the Taliban immediately move to occupy the Hollywood Gate complex, claimed to be a former CIA base in Kabul. The Taliban find what the most technologically advanced military in history left behind: aircrafts, weapons, and valuable military equipment. Baffled by the technology, Malawi Mansour, the newly assigned Air Force commander, orders his soldiers to inventory and repair everything they can. Mukhtar, motivated to one day conquer the world, arrives at Hollywood Gate aiming to build a high-ranking military career.
While Malawi Mansour and Mukhtar are focused on maximizing their own personal objectives, their comrades continue to repair the weapons left behind at Hollywood Gate. AK-47s that were once used by the US and NATO are now in the hands of the Taliban; helicopters and fighter jets that were thought to be destroyed now lethally bomb the opposition, creating untold collateral damage in the process; and the use of international documentarians for the purposes of propaganda is now underway.
Over the course of one year, the film exposes the transformation of a fundamentalist militia into a military regime.

Director's Statement

As a child, I was exposed to many who saw the Taliban as heroes. In my adolescence I questioned this belief, and it led me to journalism. Since then, I have worked across the Middle East and Europe filming world leaders. Most of these people were men who merely wanted me to be a spokesperson for their perspective and an amplifier of their message.
When the Taliban came to power (again), I was stunned. What would happen to the people of Afghanistan? It haunted me. Because of my background and professional experiences, I wondered if I could gain access to the Taliban. If so, this time I would show the world what they wanted me to see and, more importantly, what I saw.

Production/Distribution

PRODUCTION: Rolling Narratives, Jouzour Films, Cottage M, RaeFilm Studios

WORLD SALES: Rena Ronson - United Talent Agency Tel. +1 2133991221
RonsonR@unitedtalent.com
https://www.unitedtalent.com

PRESS OFFICE: Claudia Tomassini, Lorenzo Ormando, Nicola Passarotto – Claudia Tomassini & Associates
Tel. +49 1732055794
Mob. +39 3351284430
press@claudiatomassini.com
lorenzo@claudiatomassini.com
nicola@claudiatomassini.com

US PRESS OFFICE: Isaac Davidson, Ryan Werner – Cinetic Marketing
United States of America
Tel. +1 5744856299 Tel. +1 9172547653
isaac@cineticmedia.com
ryan@cineticmedia.com
Nancy Willen – Acme Public Relations
Tel. +1 3109633433
nancywillen@acmepr.net

ITALIAN PRESS OFFICE: Claudia Tomassini, Lorenzo Ormando, Nicola Passarotto – Claudia Tomassini & Associates
Tel. +49 1732055794
Mob. +39 3351284430
press@claudiatomassini.com
lorenzo@claudiatomassini.com
nicola@claudiatomassini.com


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Biennale Cinema
Biennale Cinema