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La Biennale di Venezia

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Accentus



Kaija Saariaho (1952), Tag des Jahrs for choir and electronics (2001, 15’) Italian premiere

Sivan Eldar (1985), After Arethusa for choir and electronics (2019, 10’) world premiere – commissioned by accentus

Kaija Saariaho (1952), Reconnaissance for choir, percussion and double bass (2019, 20’)  world premiere – commissioned by accentus, November Music Festival, Donaueschinger Musiktage, Palau de la Musica

Sylvano Bussotti (1931), Per 24 voci bianche o adulte from Cinque frammenti all’Italia (1967, 7’)

Vocal ensemble:accentus: Sophie Boyer, Laurence Favier Durand, Ellen Giacone*, Sophie Husson, Charlotte Plasse, Kristina Vahrenkamp (soprano), Caroline Chassany, Maria Kondrashkova, Valérie Rio, Émilie Nicot*, Guilhem Terrail*, Thi-Lien Truong (alto), Camillo Angarita, Antoine Chewnuet, Jean-François Chiama, Maciej Kotlarski, Maciej Kotlarski*, Pierre Ribémont (tenor), Jean-Baptiste Alcouffe, Sébastien Brohier*, Pierre Corbel, Grégoire Fohet-Duminil, Jean-Christophe Jacques, Laurent Slaars (bass) *solo
Conductor:Marcus Creed
Double bass:Laurène Durantel
Percussion:Matthieu Chardon
Sound projection:Martin Antiphon
Note:accentus – national center of art vocal Paris Île-de-France – Normandie – receives aid from the Direction Régionale des Affaires Culturelles d’Île-de-France of the French Ministry of Culture, is subsidised by the City of Paris and the Île-de-France Region, and also receives support from SACEM. accentus is in residence at the Opéra de Rouen Normandie. Concerts and cultural activities in the Départment receive the support of the Département des Hauts-de-Seine. The Fondation Bettencourt Schueller supports accentus. accio, the circle of friends of accentus and Insula orchestra, supports educational and artistic initiatives set in motion by Laurence Equilbey.
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Teatro alle Tese

SESTIERE CASTELLO
CAMPO DELLA TANA 2169/F
30122 VENICE
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