Pushing beyond the limits of real space to make the invisible visible is Blanca Li with dance in VR in Le bal de Paris, which blurs the boundaries between real and virtual.
Guiding us on a journey through the body via the throat is Diego Tortelli (winner of the call for new Italian choreography) with his Fo:NO, a sonic and visceral experiment that brings a beatboxer and three dancers to the stage.
The expanded dance of Trajal Harrell, which metabolises Vogue dance, postmodern, butoh, experimentation and pop culture, comes to La Biennale with Maggie the Cat, based on the play by Tennessee Williams, to interrogate the issues of power, gender, rejection and inclusion.
