A mother –a woman who emigrated to Greece from Albania– together with her husband and children. The first part of Banushi’s trilogy, staged in an Athenian apartment during the lockdown, now recreated specifically for the Biennale.
Reinventing Shakespeare through the ritual form of Mugen Noh theatre: the tragedy of the Moor of Venice turned into a rêverie performed by the ghost of Desdemona.
In a domestic interior, a family mourns in silence until events of an almost otherworldly nature open a window onto a world in which memory is intertwined with fantasy, and reality with dreams.
