A mother –a woman who emigrated to Greece from Albania– together with her husband and children. The first part of Banushi’s trilogy, staged in an Athenian apartment during the lockdown, now recreated specifically for the Biennale.
Biennale College Teatro / Alberto Colombo Sormani - Imago Vocis
On stage, two people and a bond in constant transformation, showing how identity is not something fixed, but something that emerges, transforms, and dissolves within the relationship.
This is a memorial that Dorcy Rugamba entrusts to his children: a first-person testimony of the genocide of the Tutsi in 1994, which has shaped his history as a man and as an artist.
